Short Courses & Events / Archive

Prosody in conversation – crucial for effective communication?

Wednesday 22nd October 2025, 3:00 PM - 5:00 PM (London Time)

In this course, we will take an introductory look at what prosody is and consider its functions in natural everyday dialogue.

The term ‘prosody’ describes the musical aspects of speech: pitch, loudness, time, and voice quality. Pitch includes intonation (the constantly changing melody of speech, such as when asking a question with rising intonation) and pitch register (the momentary lowering or lifting of pitch overall, such as when using higher pitch to greet a friend). Loudness manifests on single syllables as stress (such as contrast vs. contrast), but speakers also change their overall loudness, for example, when interrupting another speaker. Time includes speech tempo (for example, speaking faster to avoid being interrupted), syllable length (for example, lengthening a word to give it extra emphasis), speech rhythm (for example, speaking very fluently and without delay), and silence (for example, delaying an answer when disagreeing). Voice quality can be, for example, creaky (‘vocal fry’), harsh, breathy, or whispered. Each voice quality has a different function in conversation.

We will examine each of these with video recordings of everyday talk and show how they contribute to small but very meaningful changes to how we communicate.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Beatrice Szczepek Reed

Beatrice Szczepek Reed is Professor of Linguistics at King’s College London, where she is the Co-Director of the Centre for Language, Discourse and Communication. Beatrice studies spoken language, particularly the phonetics and phonology of natural conversation.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Creative Articulation
Thursday 30th October 2025
5:00 PM - 7:00 PM
(London Time)

Creative Articulation

Annie Morrison

Most of us have little idea of HOW we speak, or what to do to make speech more muscular. Join Annie Morrison (creator of the 'Morrison Bone Prop') for this two hour session on Creative Articulation, a holistic and haptic approach to the touchings and feelings of the articulators in the dance of speech. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level.

The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Tuesday 4th November 2025
10:00 AM - 12:00 PM
(London Time)

The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology

Dr Matt Allen

The belt’s got soul! This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.

The Science of Sound: Optimizing Vocal Acoustics for Contemporary Styles!
Tuesday 4th November 2025
3:00 PM - 5:00 PM
(London Time)

The Science of Sound: Optimizing Vocal Acoustics for Contemporary Styles!

Dr Ana Flavia Zuim

This course explores the scientific principles underpinning vocal production, acoustics, and the care of the singing voice, drawing from both foundational texts and contemporary research. Students will engage deeply with concepts from Titze’s Principles of Voice Production and Bozeman’s Practical Vocal Acoustics, including the nature of sound, pressure waveforms, harmonics, formants, and the spectral envelope. Emphasis is placed on understanding both linear and non-linear source-filter models, highlighting how the glottis produces sound and how the vocal tract selectively reinforces harmonics to enhance vocal power, timbre, and efficiency.