Highly regarded for her insightful, dynamic teaching and depth of pedagogical expertise, Amy Bebbington is an internationally respected choral clinician, educator and mentor. A committed advocate for choral singing and the professional development of conductors, she brings a rare combination of artistic excellence and practical leadership to her work.
Amy holds degrees in Piano Performance (UK) and a Doctorate in Choral Conducting (USA), and until recently, served as Director of Training for the Association of British Choral Directors. She is also Co-Founder of the highly regarded London International Choral Conducting Competition (LICCC).
Amy is regularly invited to lead choral conducting masterclasses and teach at international summer schools, and has been a guest clinician at prominent international events including Leading Voices (Utrecht), Chor.com (Hannover), and Symposium Junge Stimmen (Berlin).
A trained dancer, Amy integrates Kodály, Dalcroze, and Laban principles into her work with choirs and conductors, with particular expertise in kinaesthetic gesture, embodiment, and expressive conducting technique.
Amy is widely recognised for her advocacy for women conductors and composers, and for championing marginalised voices through innovative choral programming and mentoring. Her choral compositions are published by Banks Music Publications, Multitude of Voyces, and Choral Music Publishing and have been performed by high profile choirs on both radio and television.
Musical Director of Corra Sound, Harlequin Chamber Choir, Nota Bene, and Semper Fidelis Singers, Amy is also a sought-after international adjudicator.
Upcoming Short Courses
Thursday 12th November 2026
5:00 PM - 7:00 PM
(London Time)
Kodaly and Dalcroze - inspired Learning for Choir Leaders!
Amy Bebbington
Enhance your choral leadership by grounding vocal direction in physical, experiential movement. Drawing from the pioneering methodologies of Zoltán Kodály and Émile Jaques-Dalcroze, join Amy Bebbington for this practical and highly engaging session exploring how kinaesthetic gestures can revolutionize the way you lead singing.