Developments in Performance Science Research: How Can We Better Equip and Support our Industry?
Thursday 23rd February 2023, 5:00 PM - 7:00 PM (London Time)
Few pursuits are as dynamic and enjoyable as making music.
The results of recent research, however, suggest that stress and anxiety are widespread among musicians and that healthy approaches to training and working in music are far from uniform throughout the profession.
This presentation will review the latest developments in the field of performance science to examine how musicians can equip themselves with skills to excel.
It will also examine how music educators, administrators and policy makers can play an active role in providing supportive environments where health and wellbeing is considered integral to professional music training.
Professor Aaron Williamon
Aaron Williamon is Professor of Performance Science at the Royal College of Music (RCM) where he directs the Centre for Performance Science, a partnership...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
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We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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2:00 PM - 4:00 PM
Tuesday 8th July 2025
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Friday 11th July 2025
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Tuesday 15th July 2025
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Walt Fritz
As a relative outsider looking into the voice and performance world, I witness the bell curve of thoughts and actions on how the tongue contributes to voice problems and how best to tame that tension. Traditional ways of taming tongue tension seem adequate (or would seem so, based on feedback), so what is different and new? In this short course for the Voice Study Centre, Walt Fritz will introduce the learner to variations on self-applied tongue stretches and exercises.
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At points of heightened emotion, it is common for actors working in an accent to default to their natural speech. How do we help performers to avoid this issue and provide them and their directors with the confidence they need regardless of the emotional demands of the piece? What can we learn from research in vocal expression of emotion to help actors to embody the emotion and keep control of their voice and accent? Our very own Louisa Morgan will guide participants through the latest research and offer practical suggestions for working with performers needing to navigate this challenge.