‘Fitzmaurice Voicework® was developed by Catherine Fitzmaurice to enable actors to be more playful and present; allowing the voice to be reactive to the needs of the body, the breath and the thought in the present moment; creating more options within performance, freer creativity, and a deeper sense of the body’s ability to express with reactive freedom and energy in the breath, releasing psycho-physiological holding patterns and connected breathing constraints.
It is taught in the MFA Acting programs at Yale and Brown, as well as NYU undergraduate studios, the University of California – Irvine, Moscow Art Theatre School, Shanghai Theatre Academy, and many other theatrical institutions across the world.
It integrates well with other modalities of voicework, actor training, and is also used in corporate coaching and teacher training.’ Jedd Owen-Ellis Clark.
Jedd Owen-Ellis Clark
Jedd Owen-Ellis Clark is a voice and singing specialist, practitioner, researcher, singer, writer and performer, teaching voice studies and practical vocal arts...
Recent Posts
After The Session
After The Session: Doubles and Stacks, Reverbs and Effects: Teaching Vocal Production Skills
Voice Study Centre
Wednesday 23rd September 2026For many vocalists and voice teachers, the world of digital audio workstations (DAWs), hardware, and studio processing can feel like forbidden territory. Yesterday, Voice Study Centre hosted a hands-on, practical short course led by Kelly Hoppenjans (voice teacher, and PhD candidate in musicology at the University of Michigan), designed specifically to break down these technological barriers and empower singers to approach vocal production creatively, playfully, and confidently - so what did we learn?
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After The Session
After The Session: Games & Gadgets: Unlocking Vocal Skills Through Movement and Play🎤✨
Voice Study Centre
Tuesday 15th September 2026Vocal technique isn't just about standing still in front of a piano and doing scales - it's an interactive, whole-body experience! In a fantastic workshop hosted by the Voice Study Centre today, Naomi Lewandoski (Northside Voice Studio, Australia) led us through an engaging session on how physical movement, somatic awareness, and everyday "gadgets" can transform vocal training.
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Student Interviews
Could a Harmonica Have a Place in the Voice Studio?
Voice Study Centre
Tuesday 8th September 2026What does a harmonica have to do with the human voice? For harmonica performer and music educator Shima Melvin, this question became the starting point for her postgraduate research with the Voice Study Centre. While developing her approach to teaching harmonica, Shima found herself struggling to explain exactly what was happening inside the instrument when she played. The mechanics of the harmonica were, in a sense, invisible.
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