Femininizing Speech in Trans Women through Twang and Medialising Techniques
Thursday 21st August 2025, 5:00 PM - 7:00 PM (London Time)
To feminize transwomen's voice and communicative expression involves knowledge and understanding of what contributes to a feminine-sounding voice.
Related to the trans womens' desires and needs, we form an explorative cooperation during voice and communication training. There are several methods and techniques to gain feminine-sounding voice. In this course, twang and medialising will be in focus. This evidence based presentation includes two steps:
1) The first involves learning the techniques, and..
2) learning to speak with natural speech sound.
Britt Bøyesen is a Speech and Language Therapist, educated in the University of Oslo. She has worked with voice and voice disorders for 25 years. She has lectured at several universities, in Speech and Language Therapy and voice disorders. Britt has an MA (cand musicae) from the Norwegian Academy of Music. She has singing pedagogy education from Bergen Conservatory of Music and Barratt Due`s Institute of Music. Britt has been working with professional voice users.
For the past 8 years, she has had a specialization in voice and communication in trans women. She has published the study Using Twang and Medialization Techniques to gain Feminine-Sounding Speech in Trans Women (Bøyesen and Hide, 2024). Britt presented the study at PEVoC (Pan European Voice Conference) in Tallinn. She also held a workshop at PEVoC in Ghent where she interactively demonstrated the techniques of twang and medialising, as well as talking of strategies for generalization to spontaneous speech. She has participated in an interdisciplinary project; Speech and Language Therapy and Music Therapy, which was developed for gender diversity people.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Britt Boyesen
Britt Bøyesen is a Speech and Language Therapist, educated in the University of Oslo. She has worked with voice and voice disorders for 25 years. She has lectured at several universities, in Speech and Language Therapy and voice disorders
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 6th July 2026
5:00 PM - 7:00 PM
Friday 10th July 2026
5:00 PM - 7:00 PM
Monday 13th July 2026
5:00 PM - 7:00 PM
Friday 17th July 2026
5:00 PM - 7:00 PM
Monday 20th July 2026
7:00 PM - 7:00 PM
Friday 24th July 2026
5:00 PM - 7:00 PM
(London Time)
Certificate in Foundations of Vocology with Adam Roberts
Adam Roberts
This 30-hour Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities. Each week, advanced students contribute to cohort-centred learning with additional resources, discussion facilitation, and critical analysis. The course assessment will also be useful for those who wish to prepare for the PAVA recognised designation.
Friday 24th July 2026
10:30 AM - 11:30 AM
(London Time)
In Conversation With… Dr Tracy Bourne
Dr Tracy Bourne
Join us for the next conversation in our public interview series exploring vocal health and sustainability in musical theatre performance, this time with music theatre voice specialist, Dr Tracy Bourne! Free and open to all!
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!