A Comprehensive Performing Arts Health Curriculum: Moving Beyond ‘Drink More Water’
Thursday 19th December 2024, 5:00 PM - 7:00 PM (London Time)
It is widely known singers experience voice disorders and injuries. Such injuries may be mitigated through education of vocal health concepts, and many resources exist to assist in guiding singers to competency in this area. Due to lack of awareness and knowledge of other aspects of performing arts health (PAH), singers may be at risk for non-voice related injuries as a result of their participation in singing activities.
While many singers and teachers of singing may feel comfortable talking about voice health and offering specific advice to their students such as “drink plenty of water” or “avoid yelling and screaming,” far fewer professionals feel confident in discussing other principals of performing arts health such as musculoskeletal, hearing, and mental health concepts.
Whole-person wellness is an essential element in the lives of all performing artists, and this course presentation will encompass each of the four core areas of performing arts health (neuromusculoskeletal, hearing, mental and voice health). We will explore these areas in both a broad overview format and in an immediately applicable ‘tips and tricks’ design. Examples of current research in the field will be combined with best practices for both teachers and students. Awareness and knowledge of the concepts related to performing arts health can improve performance abilities, skill acquisition, and overall well-being. Obtaining competency in application of these principals can be achieved after first being made aware of the issues and gaining knowledge of the problems and solutions. This presentation is a valuable piece in achieving performing arts health competency.
At the conclusion of this course, you will have solid information on understanding the occupational risks that surround you, the intrinsic and extrinsic factors you bring to the table, and how to help yourself navigate the internal and environmental factors affecting your occupational health and wellness.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Kourtney Austin
Dr. Austin is an Assistant Professor of Voice at the University of Wisconsin-La Crosse. She earned her Ph.D. in Performing Arts Health at the University of North Texas, and holds degrees in voice from the University of Missouri-Kansas City Conservatory of Music and music education from Northwest Missouri State University.
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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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Tuesday 25th February 2025
5:00 PM - 7:00 PM
(London Time)
Getting Down to Business: Exploring Business Structures that Provide Creative Flow
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Cynthia Vaughn
Unlike other fields of study, no license, apprenticeship, certificates, degrees, or minimum requirements are needed to establish yourself as an independent “professional” voice teacher. That means that anyone can teach singing. And they do. Your goal is to stand out from the crowds and build your studio or creative business with knowledge, integrity, intention, and business acumen.
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Thursday 27th February 2025
5:00 PM - 7:00 PM
(London Time)
Options with laryngeal manipulation: Widening the aperture
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Walt Fritz
This workshop will provide an overview of the available styles of laryngeal manual therapies, both clinician-applied and self-applied, and offer the voice clinician an understanding of the relative equality of evidence supporting each model.
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Tuesday 4th March 2025
9:00 AM - 11:00 AM
(London Time)
Embedding Motor Learning into Voice Training with the Motor Learning Classification Framework
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Cate Madill
This presentation will review the basic principles of motor learning, how they apply to voice training, review the evidence in published studies and how they might be applied by teachers who train vocalists across numerous contexts.