A Tonguecentric Pedagogy: Reframing The Conversation About This Important Structure
Thursday 24th February 2022, 5:00 PM - 7:00 PM (London Time)
The tongue is the most flexible structure in the vocal tract.
The pharynx, while not a square, does have four “sides” that include the back, two sides and the front.
The back wall is not moveable. The side walls can narrow and release to create high frequency energy (twang).
The front wall, the back of the tongue, is super flexible and can move in myriad ways!
It is the primary shaper of voice quality and can make or break a performer’s production. The fourth “wall” is used to create ring and darkness, and is involved in control of vibrato rate. It shapes vowels and consonants and can fix or cause vocal problems. “Holy Moly,” what doesn’t it do?
I now believe it is the most important structure to learn about in singing and have shifted my pedagogical approach toward a “TongueCentric” one instead of one centered around the vocal folds.
After all, the folds are only a small portion of the overall sound created.
Join us for this “TongueCentric” course.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Tuesday 17th March 2026
5:00 PM - 7:00 PM
(London Time)
The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers
Dr. Alyssa Becker
Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!
Wednesday 18th March 2026
5:00 PM - 7:00 PM
(London Time)
Facilitating Jaw Release Through Improved Habits of Stance and Alignment
Ruth Williams Hennessy
Are you a singer or speaker struggling with stubborn jaw tension that just won't quit? Even with elite training, the "stuck" jaw is often a symptom of a surprising culprit: your feet! Join Ruth Hennessy in this interactive workshop where she bridges the gap between podiatry and phonation, moving beyond "temporary fixes" to address the physical misalignments that bottleneck your performance.