A Tonguecentric Pedagogy: Reframing The Conversation About This Important Structure
Thursday 24th February 2022, 5:00 PM - 7:00 PM (London Time)
The tongue is the most flexible structure in the vocal tract.
The pharynx, while not a square, does have four “sides” that include the back, two sides and the front.
The back wall is not moveable. The side walls can narrow and release to create high frequency energy (twang).
The front wall, the back of the tongue, is super flexible and can move in myriad ways!
It is the primary shaper of voice quality and can make or break a performer’s production. The fourth “wall” is used to create ring and darkness, and is involved in control of vibrato rate. It shapes vowels and consonants and can fix or cause vocal problems. “Holy Moly,” what doesn’t it do?
I now believe it is the most important structure to learn about in singing and have shifted my pedagogical approach toward a “TongueCentric” one instead of one centered around the vocal folds.
After all, the folds are only a small portion of the overall sound created.
Join us for this “TongueCentric” course.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 20th April 2026
12:00 PM - 1:30 PM
Tuesday 21st April 2026
12:00 PM - 1:30 PM
Wednesday 22nd April 2026
12:00 PM - 1:30 PM
Thursday 23rd April 2026
12:00 PM - 1:30 PM
(London Time)
Certificate in Acting Approaches for Singing Teachers
Louisa Morgan
Are you a singing teacher looking to elevate your students’ performance? This 4-part course is perfect for those who want to help their singers connect deeply with the character and the story behind the song. Many singing teachers have lots of brilliant ideas about coaching vocal performance but often don’t have a background in acting. Learning more about acting techniques can build structure into your performance-focused lessons and add depth to the song. Gain practical tools and techniques that you can apply to your teaching.
Tuesday 21st April 2026
5:00 PM - 7:00 PM
(London Time)
Understanding the How and Why of Vocal Dosimetry in Musical Theatre and Contemporary Singing
Dr Ana Flavia Zuim
Vocal dosimetry has emerged as an important tool for understanding the physiological demands placed on singers in contemporary musical theatre and commercial singing styles. Join Ana Flavia Zuim as she explores the principles behind vocal dosimetry and how objective measurements of vocal use such as time dose, cycle dose, distance dose, and sound pressure level can help quantify the vocal load experienced by performers during rehearsals and performances.
Thursday 23rd April 2026
2:00 PM - 4:00 PM
Friday 24th April 2026
2:00 PM - 4:00 PM
(London Time)
Singing and the Brain: A Harmonious Connection!
Dr Patricia Izbicki
Unlock the transformative power of music with our two-part lecture series that delves deep into the fascinating intersection of neuroscience, music education, and music therapy.