Short Courses & Events / Archive

A Voice Teacher’s Guide to Temporomandibular Disorders

Tuesday 4th February 2025, 5:00 PM - 7:00 PM (London Time)

Have you or your singing students ever experienced jaw pain or tension during or after singing? This class is for you!

Temporomandibular Disorders are characterized by pain and functional limitations affecting the temporomandibular joints and surrounding structures. While this group of disorders is prevalent, conversations with voice teachers, voice pedagogy literature, and social media all suggest an incomplete understanding of TMDs among voice teachers and singers.

The purpose of this class is to outline a practical, science-based guide to Temporomandibular Disorders that would be relevant to singing and applicable for the voice teaching studio.

The class will begin with an overview of the anatomy and pathophysiology of the TMJ from the perspective of the biopsychosocial medical model and a summary of the literature describing the relationship between TMDs and the voice. How do TMDs affect the voice? What causes TMDs in singers? Does singing make TMDs worse? How can the singer mitigate the impact of TMDs?

We will then continue the discussion from the perspective of what to do as a voice teacher if you suspect your student may have a TMD. Topics include how to screen for a TMD, the voice teacher's role in diagnosis and management of TMDs, considerations for voice teacher response, and recommendations for adaptations in the voice studio.

The lecture portion of the class will conclude with a summary of major takeaways for voice teachers and a discussion of possible areas for future research.

There will also be a hands-on portion of the class, during which we will learn and practice an array of possible functional and vocal exercises that the voice teacher may offer for management of TMDs in singing. 10 minutes at the end of class will be reserved for question and answer.

Dr. Jane Clukey

Dr. Jane Clukey, mezzo soprano, is an active performer and teacher of classical and commercial singing styles from Maine, USA. She appears frequently throughout Maine as a presenter, adjudicator, lecturer, music director, and workshop facilitator.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Performing Pain: Vocal Health in Emotional Roles!
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)

Performing Pain: Vocal Health in Emotional Roles!

Louisa Morgan

How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.

Incorporating CBT principles within vocal health and voice care
Tuesday 24th February 2026
5:00 PM - 7:00 PM
(London Time)

Incorporating CBT principles within vocal health and voice care

Dr Luke Aldridge-Waddon

Join Dr Luke Waddon as he introduces the principles and techniques within cognitive-behavioural therapy (CBT) in relation to the voice and voice care. He will discuss psychological factors relevant to the development and maintenance of voice disorders and how these might be approached from a cognitive-behavioural perspective. He will describe theoretical concepts and therapeutic components often used within CBT and consider how these might be applied when working with voice users.

Sex differences in VOICE!
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)

Sex differences in VOICE!

Dr Richard Lissemore

This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.