Short Courses & Events / Archive

A Voice Teacher’s Guide to Temporomandibular Disorders

Tuesday 4th February 2025, 5:00 PM - 7:00 PM (London Time)

Have you or your singing students ever experienced jaw pain or tension during or after singing? This class is for you!

Temporomandibular Disorders are characterized by pain and functional limitations affecting the temporomandibular joints and surrounding structures. While this group of disorders is prevalent, conversations with voice teachers, voice pedagogy literature, and social media all suggest an incomplete understanding of TMDs among voice teachers and singers.

The purpose of this class is to outline a practical, science-based guide to Temporomandibular Disorders that would be relevant to singing and applicable for the voice teaching studio.

The class will begin with an overview of the anatomy and pathophysiology of the TMJ from the perspective of the biopsychosocial medical model and a summary of the literature describing the relationship between TMDs and the voice. How do TMDs affect the voice? What causes TMDs in singers? Does singing make TMDs worse? How can the singer mitigate the impact of TMDs?

We will then continue the discussion from the perspective of what to do as a voice teacher if you suspect your student may have a TMD. Topics include how to screen for a TMD, the voice teacher's role in diagnosis and management of TMDs, considerations for voice teacher response, and recommendations for adaptations in the voice studio.

The lecture portion of the class will conclude with a summary of major takeaways for voice teachers and a discussion of possible areas for future research.

There will also be a hands-on portion of the class, during which we will learn and practice an array of possible functional and vocal exercises that the voice teacher may offer for management of TMDs in singing. 10 minutes at the end of class will be reserved for question and answer.

Dr. Jane Clukey

Dr. Jane Clukey, mezzo soprano, is an active performer and teacher of classical and commercial singing styles from Maine, USA. She appears frequently throughout Maine as a presenter, adjudicator, lecturer, music director, and workshop facilitator.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)

Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss

This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.

Music Theory Fundamentals for Voice Pedagogues
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)

Music Theory Fundamentals for Voice Pedagogues

Dr David Cane

Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.

Embodied voice research: negotiating the ‘inner’ and outer’
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)

Embodied voice research: negotiating the ‘inner’ and outer’

Marth Munro

The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.