Be confident singing lullabies to your baby!
Thursday 11th July 2024, 5:00 PM - 7:00 PM (London Time)
Whether out of self-consciousness or simply not knowing WHAT to sing, many caretakers are not comfortable singing to the babies in their care. Research has shown this is a crucial aspect of a child’s development, as well as an important step in building a connection between parent and child. But people worry about the quality of their voice, embarrassed and unsure if their child is secretly judging them. Of course they’re not! The connection built by singing to your child goes beyond skill, but having some confidence would help.
This presentation talks about ways to help people feel comfortable using their voices to connect with the children in their world. Carissa Scroggins will share what she learned from an online lullaby workshop she hosted in May, tools on teaching group voice lessons, specific repertoire to use (there are many songs out there to choose from, not just Brahms’ well-loved tune or a delightful ditty from Bluey), and ways to boost inexperienced voices forward on their singing journeys.
Carissa Scroggins
Carissa Scroggins is a professor of singing at Southern Illinois University, a public institution in Illinois, USA. She is a lyric coloratura soprano, with roles like Die Königin der Nacht (Die Zauberflöte), Ännchen (Der Freischütz), and Constance Fletcher (The Mother of Us All) under her belt.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
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We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.