Short Courses & Events / Archive

Embodied voice research: negotiating the ‘inner’ and outer’

Friday 17th October 2025, 3:00 PM - 5:00 PM (London Time)

This module is artificially divided into four phases. The central thrust of the module will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.

In phase one we will explore the dynamics of embodied (envoiced) practice, with specific reference to the fluid intersect between subjective object and objective subject (acknowledging Sobchak) within bodyvoice.

In phase two we will engage with the demands of research, with specific reference to how one might capture the relevant material to substantiate any conclusions one may reach through practice. Research as a mode of insight development and justification towards transference will be foregrounded.

In phase three we will turn to current practices in the field of embodied research, with specific reference to the work of Spatz and Tantia (amongst others) to tease out the complexities of embodied voice research. We will align the key nodes of embodied research with the principles of embodied learning.

In phase four we will explore the application of the insight gained in phases one to three in designing possible research trajectories that will adhere to institutional research demands while promoting and honouring the embodied and envoiced processes of our field.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Marth Munro

Marth specialises in bodymind in behaviour and performance. She is a Professor Extraordinaire in the School of the Arts: Drama, University of Pretoria, contributing to post-graduate research supervision in Embodied Performance and has supervised a number of Masters and Doctoral students to completion of their studies across her speciality areas.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Inspired Sound: Unlocking the Science of Choral Acoustics
Tuesday 16th December 2025
2:00 PM - 4:00 PM
(London Time)

Inspired Sound: Unlocking the Science of Choral Acoustics

Professor Helena Daffern

In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.

Unclenching the Jaw: Options from the Physio Lens
Tuesday 16th December 2025
5:00 PM - 7:00 PM
(London Time)

Unclenching the Jaw: Options from the Physio Lens

Walt Fritz

“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.

Improving Lyric Italian Diction for Classical Singers
Thursday 18th December 2025
3:00 PM - 5:00 PM
(London Time)

Improving Lyric Italian Diction for Classical Singers

Professor Conroy Cupido

Join Professor Conroy Cupido as he offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song.