Embodied voice research: negotiating the ‘inner’ and outer’
Friday 17th October 2025, 3:00 PM - 5:00 PM (London Time)
This module is artificially divided into four phases. The central thrust of the module will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.
In phase one we will explore the dynamics of embodied (envoiced) practice, with specific reference to the fluid intersect between subjective object and objective subject (acknowledging Sobchak) within bodyvoice.
In phase two we will engage with the demands of research, with specific reference to how one might capture the relevant material to substantiate any conclusions one may reach through practice. Research as a mode of insight development and justification towards transference will be foregrounded.
In phase three we will turn to current practices in the field of embodied research, with specific reference to the work of Spatz and Tantia (amongst others) to tease out the complexities of embodied voice research. We will align the key nodes of embodied research with the principles of embodied learning.
In phase four we will explore the application of the insight gained in phases one to three in designing possible research trajectories that will adhere to institutional research demands while promoting and honouring the embodied and envoiced processes of our field.
🏷️ Price £30 (UK VAT inclusive)
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📜 Certificate of attendance available
Marth Munro
Marth specialises in bodymind in behaviour and performance. She is a Professor Extraordinaire in the School of the Arts: Drama, University of Pretoria, contributing to post-graduate research supervision in Embodied Performance and has supervised a number of Masters and Doctoral students to completion of their studies across her speciality areas.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 29th October 2025
5:00 PM - 7:00 PM
(London Time)
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Hilary Davies
In recent years, the music therapy profession has begun to consider the application of the neurodiversity paradigm to music therapy practice, in particular In relation to autism, and an increasing amount of literature embracing this perspective has been published. This lecture, delivered from a lived experience perspective, will provide an explanation of the key concepts around neurodiversity - particular consideration will be given to the use of the voice, both one's own but also to the neurodivergent individual’s particular ways of using language, song and vocal sounds.
Thursday 30th October 2025
5:00 PM - 7:00 PM
(London Time)
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Most of us have little idea of HOW we speak, or what to do to make speech more muscular. Join Annie Morrison (creator of the 'Morrison Bone Prop') for this two hour session on Creative Articulation, a holistic and haptic approach to the touchings and feelings of the articulators in the dance of speech. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level.
Tuesday 4th November 2025
10:00 AM - 12:00 PM
(London Time)
The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Dr Matt Allen
The belt’s got soul! This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.