Inhalation hazards and the performing vocalist
Tuesday 10th December 2024, 5:00 PM - 7:00 PM (London Time)
Vocal production requires inhalation. But in some performance venues there are chemicals in the air we inhale. Examples include the glycols, glycerine or mineral oil mists in special effects such as haze, fog and smoke. There also is combustion smoke and metal fumes from pyrotechnics, bullet hits (squibs), fire bars and cold spark gerbs. Or there are particles from dust effects, artificial snow, and Holi powders.
While we rarely have to deal with tobacco smoke anymore, there is marijuana and vaping smoke in many locations. In fact, some new information on the hazards of haze fog and smoke chemicals are from studies of vaping since the same chemicals are used in both.
Then there are air pollutants in the dressing and make up rooms including from hair sprays, from powders including talc, from air brush makeups, solvents from lotions, and more.
Next, there are air pollutants from some of the venues themselves. Old buildings may contain lead paint, asbestos sources, or mould. New buildings often contain plastic and resin materials and polymer paints that off-gas chemicals. The ventilation systems in both old and new venues are often less than helpful.
And we can’t ignore the airborne particles that spread infectious diseases which are changing the way we plan events, design ventilation systems, and select air purifiers.
In this course we will look at the respiratory system as a structure that is potentially vulnerable to many types of air pollutants. We will cover the physics needed to understand how particles, gases, and vapours behave in the air. We will review some of the studies of the chemicals encountered in performance venues and view short videos showing typical exposures. Lastly, we will cover strategies to protect ourselves and our voices both on and off the job.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Monona Rossol
Monona Rossol was born into a Vaudeville family, began working as a professional entertainer at age three, and continues to perform occasionally to this day. She has a BS in Chemistry with a minor in Math, an MS and MFA with majors in art and a minor in music.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
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We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 16th December 2025
2:00 PM - 4:00 PM
(London Time)
Inspired Sound: Unlocking the Science of Choral Acoustics
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In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.
Tuesday 16th December 2025
5:00 PM - 7:00 PM
(London Time)
Unclenching the Jaw: Options from the Physio Lens
Walt Fritz
“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.
Thursday 18th December 2025
3:00 PM - 5:00 PM
(London Time)
Improving Lyric Italian Diction for Classical Singers
Professor Conroy Cupido
Join Professor Conroy Cupido as he offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song.