Short Courses & Events / Archive

Inhalation hazards and the performing vocalist

Tuesday 10th December 2024, 5:00 PM - 7:00 PM (London Time)

Vocal production requires inhalation.  But in some performance venues there are chemicals in the air we inhale.   Examples include the glycols, glycerine or mineral oil mists in special effects such as haze, fog and smoke.  There also is combustion smoke and metal fumes from pyrotechnics, bullet hits (squibs), fire bars and cold spark gerbs.  Or there are particles from dust effects, artificial snow, and Holi powders.

While we rarely have to deal with tobacco smoke anymore, there is marijuana and vaping smoke in many locations.  In fact, some new information on the hazards of haze fog and smoke chemicals are from studies of vaping since the same chemicals are used in both.

Then there are air pollutants in the dressing and make up rooms including from hair sprays, from powders including talc, from air brush makeups, solvents from lotions, and more.

Next, there are air pollutants from some of the venues themselves. Old buildings may contain lead paint, asbestos sources, or mould.  New buildings often contain plastic and resin materials and polymer paints that off-gas chemicals.  The ventilation systems in both old and new venues are often less than helpful.

And we can’t ignore the airborne particles that spread infectious diseases which are changing the way we plan events, design ventilation systems, and select air purifiers.

In this course we will look at the respiratory system as a structure that is potentially vulnerable to many types of air pollutants. We will cover the physics needed to understand how particles, gases, and vapours behave in the air. We will review some of the studies of the chemicals encountered in performance venues and view short videos showing typical exposures.  Lastly, we will cover strategies to protect ourselves and our voices both on and off the job.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Monona Rossol

Monona Rossol was born into a Vaudeville family, began working as a professional entertainer at age three, and continues to perform occasionally to this day.  She has a BS in Chemistry with a minor in Math, an MS and MFA with majors in art and a minor in music. 

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Low Male Voices (LMVs): Development, Technique, and Repertoire
Tuesday 9th December 2025
5:00 PM - 7:00 PM
(London Time)

Low Male Voices (LMVs): Development, Technique, and Repertoire

Dr Dann Mitton

Join Dr Dann Mitton for this two hour workshop where he explores the Development, Techniques, and Repertoire favoured for Low Male Voices (LMVs). Typically labelled as 'Bass' and 'Baritone', these classifications are used in classical music, choral settings, and vocal pedagogy to help determine suitable repertoire and vocal roles. In contemporary music, the distinctions are less rigid but still useful for understanding vocal range and timbre.

Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!
Thursday 11th December 2025
8:00 AM - 10:00 AM
(London Time)

Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!

Dr Calvin Baker

Voice teachers and clinicians strongly rely on auditory perceptual modes of voice evaluation. These are considered the gold standard for assessing voice quality and training effects (e.g., a singer’s progress from lesson to lesson or across voice therapy). Join Dr Calvin Baker as he explores techniques for instrumentally analysing the singing voice. Specific considerations for the challenges of obtaining reliable, robust, and comparable data will be presented, and practical recommendations for recording and analysing the singing voice in pedagogical and clinical contexts will be made.

The Pedagogy of Vibrato: Integrating Science and Studio Practice
Thursday 11th December 2025
5:00 PM - 7:00 PM
(London Time)

The Pedagogy of Vibrato: Integrating Science and Studio Practice

Dr Justin John Moniz

Vibrato is more than just a shimmer in the sound—it’s one of the voice’s most powerful tools for artistry and expression. In this dynamic course, Justin John Moniz—Associate Director of Vocal Performance and Coordinator of Vocal Pedagogy at NYU Steinhardt, and Associate Editor of the Journal of Singing—pulls back the curtain on vibrato, blending history, science, and studio know-how into an engaging exploration for singers and teachers alike.