Psychological Influences on Voice Production: An Exploration of Emotional and Cognitive Processes
Tuesday 3rd September 2024, 5:00 PM - 7:00 PM (London Time)
Voice Production is a complicated balance within the systems of respiration, phonation, resonation, and articulation. What we know about this balance can help create training and rehabilitation strategies in the voice studio and voice clinic. However, beyond these physiological factors, deeper psychological factors influence voice production and without a solid understanding of the psychosocial influences on voice production, even the best training tools can be rendered insufficient.
This workshop will cover the major psychological domains of emotion and cognition and how these domains interact with the physiological systems of voicing and speech.
The workshop will include a brief introduction to the domains of attention, working memory, self-regulation, interoception, effort, threat sensitivity, and reward seeking behaviours, providing solid theoretical foundations of each domain and how these domains interact with the systems of voice and speech.
Following theoretical instruction, the workshop will present how research investigates each domain, how specific research paradigms in the psychological sciences are modified to address the unique neurological underpinnings of motor behaviour in voice and speech, and why modifications are necessary.
Following a discussion on the research into each domain, the workshop will discuss how research findings can be applied to pedagogical and clinical practice.
Lastly, the workshop will discuss how these basic psychological domains contribute to higher level psychological processes such as the sense of self (including impression management), confidence, performance anxiety, and practice behaviours.
This workshop will include didactic presentations and topic directed discussions.
Miriam van Mersbergen
Miriam van Mersbergen is an Associate Professor in the School of Communication Sciences and Disorders at the University of Memphis where she teaches Anatomy & Physiology of the Speech Mechanism, Voice Disorders, Advanced Clinical Instrumentation for Voice, and Dysphagia.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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2:00 PM - 4:00 PM
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Tuesday 19th May 2026
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Tuesday 26th May 2026
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Tuesday 2nd June 2026
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Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Tuesday 19th May 2026
5:00 PM - 7:00 PM
(London Time)
Staging A Coup: History meets science for the coup de la glotte!
Kourtney Austin
Historical vocal pedagogy, voice science, voice health, and performance practice come together in this presentation from Kourtney Austin! The session addresses the historical context for teaching the onset as a fundamental skill, along with a review of a recent publication examining the acoustic effects of different types of onset, and practical studio implementation of onset training. The aforementioned publication is the first known research to objectively measure the acoustic implications of the coup de la glotte, and delineate it from the hard glottal attack.
Thursday 21st May 2026
5:00 PM - 7:00 PM
(London Time)
Letting the Text Live: Reading Aloud with Expression!
Louisa Morgan
This 2-hour interactive session is designed to help you make more deliberate, expressive choices in your speaking of the written word. It will involve plenty of practical exploration and will cover tips and techniques for working with the voice to lift the text off the page. Work with me to refine nuance, precision, and expressive range. We’ll explore a variety of text samples to cover a wide range of real-world situations, so you can get a feel for the different styles and approaches. If you want your spoken text to sound purposeful, engaging, and unmistakably yours, this session will invite you to play with some tools to do just that.