Shouldering The Blame - Exploring the Upper Body In Voice Training & Rehabilitation
Tuesday 16th February 2021, 5:00 PM - 7:00 PM (London Time)
One reasonably well explored principle in voice production is how the breathing system can and does adapt to the larynx, be it the register, resistance or possibly a pathological problem.
As we explore this principle, there are common adaptations that happen in the upper body that can be assessed using the arms.
This makes the arms and shoulders a valuable part of assessing singers understanding the singing ‘system’ and eventually deciding the training route.
All sessions are recorded and will be sent out to all registered participants.
Chris Johnson
Chris Johnson's performance career began in a casual choir, but then the joy (and, sometimes the fear) of stepping out in-front of hundreds of people...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Friday 17th October 2025
12:00 PM - 2:00 PM
(London Time)
Introduction to gender-affirming voice coaching
Gillie Stoneham
This introductory short course is aimed at those who work in voice coaching and/or therapy who wish to develop some basic knowledge and skills in working with trans and gender-diverse people to support voice and communication exploration.
Friday 17th October 2025
3:00 PM - 5:00 PM
(London Time)
Embodied voice research: negotiating the ‘inner’ and outer’
Marth Munro
The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.
Friday 17th October 2025
5:00 PM - 7:00 PM
(London Time)
Using Acoustic Registration to Train Range, Laryngeal Registration, and Passaggi
Ken Bozeman
There are acoustic vocal registers as well as laryngeal registers. Acoustic registers correspond to the historic Italian categories translated by this author as: voce chiusa (close timbre), voce aperta (open timbre), and voce piena di testa (roughly equivalent to whoop timbre)...