Singing and Listening as an Intermaterial Vibrational Practice
Thursday 10th October 2024, 5:00 PM - 7:00 PM (London Time)
'In this session, I will discuss my practice-based research which focuses on the materiality of singing and listening. I will ground the discussion in my book, Sensing Sound: Singing and Listening as Vibrational Practice (Duke University Press, 2015), offering participatory exercises to help students begin to build their own vocal theory based on their practices.
Brief background:
After decades of working as a voice teacher and singer, I developed a framework for thinking about the physical voice, singing, listening, and the materials through which we sense the voice (for example, air) as vibrational practice. If we consider a vocal sound to be a node along an unrepeatable intermaterial vibrational continuum, concepts such as “in tune/out of tune,” “good/bad,” or “right/wrong” no longer make sense. This idea also forwards the ethical dimensions of singing and listening: to hear a voice is to sense its vibration through your body. Moreover, it refutes the notion that singing is for the sense of audiation alone, allowing us to explore the multi-sensoriality of both singing and listening.'
Nina Eidsheim
Nina Eidsheim is the author of Sensing Sound: Singing and Listening as Vibrational Practice and The Race of Sound: Listening, Timbre, and Vocality in African American Music, and co-editor of the Oxford Handbook of Voice Studies and Refiguring American Music.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 29th October 2025
5:00 PM - 7:00 PM
(London Time)
A neurodiversity-affirmative approach to the voice!
Hilary Davies
In recent years, the music therapy profession has begun to consider the application of the neurodiversity paradigm to music therapy practice, in particular In relation to autism, and an increasing amount of literature embracing this perspective has been published. This lecture, delivered from a lived experience perspective, will provide an explanation of the key concepts around neurodiversity - particular consideration will be given to the use of the voice, both one's own but also to the neurodivergent individual’s particular ways of using language, song and vocal sounds.
Thursday 30th October 2025
5:00 PM - 7:00 PM
(London Time)
Creative Articulation
Annie Morrison
Most of us have little idea of HOW we speak, or what to do to make speech more muscular. Join Annie Morrison (creator of the 'Morrison Bone Prop') for this two hour session on Creative Articulation, a holistic and haptic approach to the touchings and feelings of the articulators in the dance of speech. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level.
Tuesday 4th November 2025
10:00 AM - 12:00 PM
(London Time)
The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Dr Matt Allen
The belt’s got soul! This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.