Short Courses & Events / Archive

Student-Centred Voice Pedagogy: Working with your Students to Develop Artistry

Tuesday 8th April 2025, 5:00 PM - 7:00 PM (London Time)

In this seminar, we’ll discuss the five aspects of student-centered pedagogy. Voice instruction is in many ways a personal journey toward artistry and this path involves an intimate and individualized educational experience that occurs between the student and their teacher. This relationship is an integral part of the teaching and learning process.

Traditionally, one-on-one instruction in singing has been conveyed via a master–apprentice model in which the teacher imparts wisdom to the student. The master–apprentice tradition has been termed as didactic (or teacher-directed); information or knowledge is transferred omnidirectionally from the teacher to the learner. These conventional models tend to be heavy in content and often primarily reflect the teacher’s experiences (as well as institutional expectations). Educational research questions this traditional approach to teaching as it often does not develop the individual artistry of the singer, nor develop autonomy in learning or agency.

This seminar will discuss these aspects as agents of change for a learner-centred approach within the context of pedagogy and practice specifically, strategies that encourage that environment.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Jeanne Goffi-Fynn

Jeanne Goffi-Fynn is currently program director and senior lecturer in the Program of Music and Music Education at Teachers College, Columbia University. Her areas of interest include the performance of singers across the lifespan, applied studio teaching, voice development and Pedagogy across various styles, collaborative mentoring, and ensemble singing.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Certificate in Executive Voice Coaching and Communication
Monday 28th September 2026
1:00 PM - 2:30 PM
Tuesday 29th September 2026
1:00 PM - 2:30 PM
Wednesday 30th September 2026
1:00 PM - 2:30 PM
Thursday 1st October 2026
1:00 PM - 2:30 PM
Friday 2nd October 2026
1:00 PM - 2:30 PM
(London Time)

Certificate in Executive Voice Coaching and Communication

Louisa Morgan

This five-day course is designed for professional coaches who want to extend their practice into executive coaching, leadership communication, and professional corporate voice work.

Muscle Tension Dysphonia in the Singing Voice!
Friday 2nd October 2026
12:30 PM - 2:30 PM
(London Time)

Muscle Tension Dysphonia in the Singing Voice!

Dr Claire Thomas

Join Dr Claire Thomas for a practical 2-hour workshop for singing teachers and voice practitioners! Building upon the previous course to create a practical teacher pathway in order to recognise what is happening, reduce unnecessary effort, transfer coordination into singing, manage load and recovery and know when to refer back. Not one size fits all, but a guide to making informed choices with voice users. Based on a five-year investigative project, the course equips singing teachers with the knowledge and practical tools needed to confidently understand MTD, and support singers experiencing MTD beyond their initial therapeutic input.

Inspired Not Bound: The Promise of Science-Informed Voice Pedagogy
Tuesday 6th October 2026
5:00 PM - 7:00 PM
(London Time)

Inspired Not Bound: The Promise of Science-Informed Voice Pedagogy

Lynn Helding

Lynn Helding defines Science-Informed Voice Pedagogy in her upcoming book Practicing Science-Informed Voice Training as, “A type of hybrid singing voice pedagogy that unites science and art by researching current voice science, translating it, combining it with extant historic voice knowledge, and transmitting it to singers.” Join Lynn Helding as she seeks to understand human behaviour of both sides of the “Science versus Art” debate via research from the fields of cognitive science and behavioural science, focussing particularly on lessons learned due to several societal shifts.