Short Courses & Events / Archive

Student-Centred Voice Pedagogy: Working with your Students to Develop Artistry

Tuesday 8th April 2025, 5:00 PM - 7:00 PM (London Time)

In this seminar, we’ll discuss the five aspects of student-centered pedagogy. Voice instruction is in many ways a personal journey toward artistry and this path involves an intimate and individualized educational experience that occurs between the student and their teacher. This relationship is an integral part of the teaching and learning process.

Traditionally, one-on-one instruction in singing has been conveyed via a master–apprentice model in which the teacher imparts wisdom to the student. The master–apprentice tradition has been termed as didactic (or teacher-directed); information or knowledge is transferred omnidirectionally from the teacher to the learner. These conventional models tend to be heavy in content and often primarily reflect the teacher’s experiences (as well as institutional expectations). Educational research questions this traditional approach to teaching as it often does not develop the individual artistry of the singer, nor develop autonomy in learning or agency.

This seminar will discuss these aspects as agents of change for a learner-centred approach within the context of pedagogy and practice specifically, strategies that encourage that environment.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Jeanne Goffi-Fynn

Jeanne Goffi-Fynn is currently program director and senior lecturer in the Program of Music and Music Education at Teachers College, Columbia University. Her areas of interest include the performance of singers across the lifespan, applied studio teaching, voice development and Pedagogy across various styles, collaborative mentoring, and ensemble singing.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)

Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss

This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.

Music Theory Fundamentals for Voice Pedagogues
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)

Music Theory Fundamentals for Voice Pedagogues

Dr David Cane

Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.

Embodied voice research: negotiating the ‘inner’ and outer’
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)

Embodied voice research: negotiating the ‘inner’ and outer’

Marth Munro

The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.