Student-Centred Voice Pedagogy: Working with your Students to Develop Artistry
Tuesday 8th April 2025, 5:00 PM - 7:00 PM (London Time)
In this seminar, we’ll discuss the five aspects of student-centered pedagogy. Voice instruction is in many ways a personal journey toward artistry and this path involves an intimate and individualized educational experience that occurs between the student and their teacher. This relationship is an integral part of the teaching and learning process.
Traditionally, one-on-one instruction in singing has been conveyed via a master–apprentice model in which the teacher imparts wisdom to the student. The master–apprentice tradition has been termed as didactic (or teacher-directed); information or knowledge is transferred omnidirectionally from the teacher to the learner. These conventional models tend to be heavy in content and often primarily reflect the teacher’s experiences (as well as institutional expectations). Educational research questions this traditional approach to teaching as it often does not develop the individual artistry of the singer, nor develop autonomy in learning or agency.
This seminar will discuss these aspects as agents of change for a learner-centred approach within the context of pedagogy and practice specifically, strategies that encourage that environment.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Jeanne Goffi-Fynn
Jeanne Goffi-Fynn is currently program director and senior lecturer in the Program of Music and Music Education at Teachers College, Columbia University. Her areas of interest include the performance of singers across the lifespan, applied studio teaching, voice development and Pedagogy across various styles, collaborative mentoring, and ensemble singing.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 7th July 2025
2:00 PM - 4:00 PM
Tuesday 8th July 2025
2:00 PM - 4:00 PM
Wednesday 9th July 2025
2:00 PM - 4:00 PM
Friday 11th July 2025
2:00 PM - 4:00 PM
Monday 14th July 2025
2:00 PM - 4:00 PM
Tuesday 15th July 2025
2:00 PM - 4:00 PM
Wednesday 16th July 2025
2:00 PM - 4:00 PM
Friday 18th July 2025
2:00 PM - 4:00 PM
(London Time)
Introduction to statistics and working with quantitative data for Voice Professionals: 8-Session Online Bootcamp
Dr David Cane
This certificated statistics course is ideal for individuals interested in laying a solid foundation in quantitative research methods. By focusing on essential statistical principles, you will be equipped with the tools to understand and apply quantitative research techniques effectively. Statistics is a crucial component of quantitative research; mastering it will enable you to grasp quantitative methods more confidently and precisely.
Tuesday 15th July 2025
5:00 PM - 7:00 PM
(London Time)
Exploring the roots of the tongue: Ideas for performance
Walt Fritz
As a relative outsider looking into the voice and performance world, I witness the bell curve of thoughts and actions on how the tongue contributes to voice problems and how best to tame that tension. Traditional ways of taming tongue tension seem adequate (or would seem so, based on feedback), so what is different and new? In this short course for the Voice Study Centre, Walt Fritz will introduce the learner to variations on self-applied tongue stretches and exercises.
Wednesday 16th July 2025
2:00 PM - 4:00 PM
(London Time)
Emotion and Performing Accents and Dialects: why does Emotion Get in the Way?
Louisa Morgan
At points of heightened emotion, it is common for actors working in an accent to default to their natural speech. How do we help performers to avoid this issue and provide them and their directors with the confidence they need regardless of the emotional demands of the piece? What can we learn from research in vocal expression of emotion to help actors to embody the emotion and keep control of their voice and accent? Our very own Louisa Morgan will guide participants through the latest research and offer practical suggestions for working with performers needing to navigate this challenge.