Short Courses & Events / Archive

Teach Voice, Make Money: How Professional Voice Teachers Do Business

Tuesday 25th June 2024, 5:00 PM - 7:00 PM (London Time)

Are you a voice teacher who works tirelessly every day for the good of each and every student, only to be met with late cancellations, helicopter parents, and a salary that is barely scraping by?

Noel Smith has spent twenty years figuring out the secrets to exploding her voice studio into a fully-grown business – boasting 60+ Broadway students, a network of teachers, custom-made merchandise, and a six-figure revenue.

This course will give you the tools to grow a voice studio that is not only successful but also business- and tech-savvy…while still turning a profit and developing a following of students, teachers and parents.

Topics will include:

- Finding space to set up a studio
- How to find students
- Building a website
- Advertising
- Rates to charge
- How to assess incoming students
- Studio policy
- Online support for your studio
- Online lessons
- Group lessons
- Hiring another teacher
- Who should be on your team?
- Maintaining your own health while teaching a full schedule
- Keeping up to date with the business aspects of your studio

Noel will share the good, the bad and the ugly followed by a question and answer session.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Noel Smith

Noel Smith is a highly skilled singer, voice teacher, producer, pianist and multi-studio owner. She has grown her home office voice studio into a six-figure business that spans three locations, incorporates a network of teachers, and has a loyal following of 100+ students.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!
Thursday 11th December 2025
8:00 AM - 10:00 AM
(London Time)

Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!

Dr Calvin Baker

Voice teachers and clinicians strongly rely on auditory perceptual modes of voice evaluation. These are considered the gold standard for assessing voice quality and training effects (e.g., a singer’s progress from lesson to lesson or across voice therapy). Join Dr Calvin Baker as he explores techniques for instrumentally analysing the singing voice. Specific considerations for the challenges of obtaining reliable, robust, and comparable data will be presented, and practical recommendations for recording and analysing the singing voice in pedagogical and clinical contexts will be made.

The Pedagogy of Vibrato: Integrating Science and Studio Practice
Thursday 11th December 2025
5:00 PM - 7:00 PM
(London Time)

The Pedagogy of Vibrato: Integrating Science and Studio Practice

Dr Justin John Moniz

Vibrato is more than just a shimmer in the sound—it’s one of the voice’s most powerful tools for artistry and expression. In this dynamic course, Justin John Moniz—Associate Director of Vocal Performance and Coordinator of Vocal Pedagogy at NYU Steinhardt, and Associate Editor of the Journal of Singing—pulls back the curtain on vibrato, blending history, science, and studio know-how into an engaging exploration for singers and teachers alike.

Inspired Sound: Unlocking the Science of Choral Acoustics
Tuesday 16th December 2025
2:00 PM - 4:00 PM
(London Time)

Inspired Sound: Unlocking the Science of Choral Acoustics

Professor Helena Daffern

In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.