The Responsive Voice: A dialogic approach to actor voice training
Tuesday 1st October 2024, 5:00 PM - 7:00 PM (London Time)
This course will apply key insights from research on natural conversation to voice and dialect coaching for actors. Current actor voice training approaches the voice as the product of an individual speaker. The voice is seen as expressing inner truths and emotions, and there is a strong focus on learning lines and soliloquies. However, some voice coaches have called for ‘a genuine, dynamic, and spontaneous responsiveness as opposed to learning how to say lines without really listening or reacting to others’ (Gutekunst & Gillett 2014:4). This aligns with findings from research on natural talk. Here, it has been shown that the voice is a tool for dialogue rather than only for monologue.
The course will start by introducing the dialogic functions of the voice as it is used in real-life conversation. In natural talk, speakers vocally align with each other, for example, by mirroring each other’s pitch or speech tempo. Here, the voice - or ‘prosody’ - manages interaction with other people rather than revealing an emotional state. Aligning with others frequently leads to prosody that is different from prosody produced in isolation. These insights have not yet been applied to actor voice training, where they have the potential to transform dialogue coaching.
The course will give an overview of how recent voice training approaches teach voice/ prosody and will outline areas where the prosody of acting may differ from that of natural conversation. We will propose ways in which the prosody of natural talk can be meaningfully applied to the work of actors, acting students, and voice coaches, with many examples and exercises that students can take part in if they would like to.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Beatrice Szczepek Reed
Beatrice Szczepek Reed is Professor of Linguistics at King’s College London, where she is the Co-Director of the Centre for Language, Discourse and Communication. Beatrice studies spoken language, particularly the phonetics and phonology of natural conversation.
Anne Whitaker
Anne Whitaker is a California transplant now based in London. Her work as a voice coach spans professional coaching and conservatoire training programs including The Royal Central School for Speech and Drama, Mountview, and The Globe.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 7th July 2025
2:00 PM - 4:00 PM
Tuesday 8th July 2025
2:00 PM - 4:00 PM
Wednesday 9th July 2025
2:00 PM - 4:00 PM
Friday 11th July 2025
2:00 PM - 4:00 PM
Monday 14th July 2025
2:00 PM - 4:00 PM
Tuesday 15th July 2025
2:00 PM - 4:00 PM
Wednesday 16th July 2025
2:00 PM - 4:00 PM
Friday 18th July 2025
2:00 PM - 4:00 PM
(London Time)
Introduction to statistics and working with quantitative data for Voice Professionals: 8-Session Online Bootcamp
Dr David Cane
This certificated statistics course is ideal for individuals interested in laying a solid foundation in quantitative research methods. By focusing on essential statistical principles, you will be equipped with the tools to understand and apply quantitative research techniques effectively. Statistics is a crucial component of quantitative research; mastering it will enable you to grasp quantitative methods more confidently and precisely.
Tuesday 15th July 2025
5:00 PM - 7:00 PM
(London Time)
Exploring the roots of the tongue: Ideas for performance
Walt Fritz
As a relative outsider looking into the voice and performance world, I witness the bell curve of thoughts and actions on how the tongue contributes to voice problems and how best to tame that tension. Traditional ways of taming tongue tension seem adequate (or would seem so, based on feedback), so what is different and new? In this short course for the Voice Study Centre, Walt Fritz will introduce the learner to variations on self-applied tongue stretches and exercises.
Wednesday 16th July 2025
2:00 PM - 4:00 PM
(London Time)
Emotion and Performing Accents and Dialects: why does Emotion Get in the Way?
Louisa Morgan
At points of heightened emotion, it is common for actors working in an accent to default to their natural speech. How do we help performers to avoid this issue and provide them and their directors with the confidence they need regardless of the emotional demands of the piece? What can we learn from research in vocal expression of emotion to help actors to embody the emotion and keep control of their voice and accent? Our very own Louisa Morgan will guide participants through the latest research and offer practical suggestions for working with performers needing to navigate this challenge.