The Voice in Neurodiversity Affirmative Music Therapy with Autistic People
Tuesday 23rd April 2024, 12:00 PM - 2:00 PM (London Time)
The Neurodiversity Paradigm challenges the concept of autism (and related neurological differences such as ADHD and dyspraxia) as a disorder or deficit, instead defining autism as a natural and normal part of human neurological diversity (neurodiversity). Under the neurodiversity paradigm, autism is considered as an aspect of identity, in the same way as gender or sexuality, and autistic forms of behaviour, communication and culture are valued in the same way as allistic (non-autistic) forms of behaviour, communication and culture. In recent years, the music therapy profession has begun to consider the application of the neurodiversity paradigm to music therapy practice, and an increasing amount of literature embracing this perspective has been published.
This lecture, delivered from a lived experience perspective, will begin with an explanation of the key concepts around neurodiversity, the neurodiversity paradigm, and some neurodiversity-informed theories within autism research, including a brief exploration of autistic communication and culture. We will look at ways to work musically from a neurodiversity-affirmative perspective with autistic people, whether therapeutically or within other forms of music-based work or teaching practice. Particular consideration will be given to the use of the voice with autistic people, both in terms of responding to the individual’s particular ways of using language, song and vocal sounds, and in terms of using one’s own voice (whether you identify as autistic or allistic), and other forms of music, to communicate respectfully and effectively with autistic people.
Hilary will speak about her own music therapy work with autistic people, which takes a collaborative approach with the client as much as possible, giving examples of how Hilary uses her voice and other forms of musical response in her therapeutic work.
Hilary Davies
Hilary Davies is a Health and Care Professions Council-registered Music Therapist, specialising in music therapy with autistic people.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 16th December 2025
2:00 PM - 4:00 PM
(London Time)
Inspired Sound: Unlocking the Science of Choral Acoustics
Professor Helena Daffern
In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.
Tuesday 16th December 2025
5:00 PM - 7:00 PM
(London Time)
Unclenching the Jaw: Options from the Physio Lens
Walt Fritz
“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.
Thursday 18th December 2025
3:00 PM - 5:00 PM
(London Time)
Improving Lyric Italian Diction for Classical Singers
Professor Conroy Cupido
Join Professor Conroy Cupido as he offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song.