Short Courses & Events / Archive

The Voice in Neurodiversity Affirmative Music Therapy with Autistic People

Tuesday 23rd April 2024, 12:00 PM - 2:00 PM (London Time)

The Neurodiversity Paradigm challenges the concept of autism (and related neurological differences such as ADHD and dyspraxia) as a disorder or deficit, instead defining autism as a natural and normal part of human neurological diversity (neurodiversity). Under the neurodiversity paradigm, autism is considered as an aspect of identity, in the same way as gender or sexuality, and autistic forms of behaviour, communication and culture are valued in the same way as allistic (non-autistic) forms of behaviour, communication and culture. In recent years, the music therapy profession has begun to consider the application of the neurodiversity paradigm to music therapy practice, and an increasing amount of literature embracing this perspective has been published.

This lecture, delivered from a lived experience perspective, will begin with an explanation of the key concepts around neurodiversity, the neurodiversity paradigm, and some neurodiversity-informed theories within autism research, including a brief exploration of autistic communication and culture. We will look at ways to work musically from a neurodiversity-affirmative perspective with autistic people, whether therapeutically or within other forms of music-based work or teaching practice. Particular consideration will be given to the use of the voice with autistic people, both in terms of responding to the individual’s particular ways of using language, song and vocal sounds, and in terms of using one’s own voice (whether you identify as autistic or allistic), and other forms of music, to communicate respectfully and effectively with autistic people.

Hilary will speak about her own music therapy work with autistic people, which takes a collaborative approach with the client as much as possible, giving examples of how Hilary uses her voice and other forms of musical response in her therapeutic work.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Hilary Davies

Hilary Davies is a Health and Care Professions Council-registered Music Therapist, specialising in  music therapy with autistic people.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Acceptance and Commitment Training (ACT) for Music Performance Anxiety (MPA) (3-week course)
Monday 6th January 2025
5:00 PM - 7:00 PM
Monday 13th January 2025
5:00 PM - 7:00 PM
Monday 20th January 2025
5:00 PM - 7:00 PM
(London Time)

Acceptance and Commitment Training (ACT) for Music Performance Anxiety (MPA) (3-week course)

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In this updated three-part course, you will learn how to detect symptoms of music performance anxiety (MPA) among your students/clients and whether those symptoms are problematic or not. You will also learn about Acceptance and Commitment Training (ACT), an evidence-based psychotherapy and coaching model that aims to promote mindfulness and acceptance of one’s MPA symptoms, while also enhancing performance skills by increasing actions consistent with a musician’s values.

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Tuesday 7th January 2025
5:00 PM - 7:00 PM
(London Time)

Hormones and female voices: an overview across life span

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This seminar provides an overview of how sex steroid hormones affect the morphology and function of the female voice across life span. Special emphasis will be given to menopause and aging and how associated changes may affect respiratory, phonatory and resonatory subsystems of the vocal apparatus and, consequently, voice quality and speech.

The Acting Through Song Toolkit: a 3-part course
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Wednesday 15th January 2025
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Wednesday 22nd January 2025
11:00 AM - 12:30 PM
(London Time)

The Acting Through Song Toolkit: a 3-part course

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Do you work with students who struggle to connect their acting skills with their singing skills? Are your students currently auditioning for professional work, drama schools or entering competitions? Perhaps you are a singing teacher needing to work on performance, but you don’t have a background in acting.