Short Courses & Events / Archive

The Voice Skills Approach To Voice Analysis And Action Planning

Thursday 11th May 2023, 5:00 PM - 7:00 PM (London Time)

In this talk, Christina will describe the approach and the Voice Skills Framework and participants will have the chance to practise perceptual analysis on a short video, where the ‘client’s’ spoken voice issues are likely to be relevant to their sung voice. She will then demonstrate and lead an exploration of core exercises for each of the 8 voice skills parameters.

Christina’s book, Voice Work: Art and Science in Changing Voices  (2009) has become a core text for voice practitioners since it addresses the theory and practice of voice work with both normal and disturbed voice. 

The Voice Skills approach is central to the book. Developed over many years of practical work with speakers and singers, it is based on Christina’s definition of the ‘Free Voice’, based on 8 core aspects: Body, Breath, Channel, Phonation, Resonance, Pitch, Loudness and Articulation. This will be strong and flexible in both personal and professional contexts and will not tire during speaking or singing – nor will it react under stress during a demanding rehearsal, show, presentation or long social evening.

The Voice Skills Framework uses these aspects in a simple-to-use perceptual voice listening tool which helps to illuminate what is ‘going on’ in a voice, and points a voice practitioner towards appropriate directions for voice work. This system of listening and analysis has been widely taught, both in the UK and in other countries and is used by many different voice practitioners.

🏷️ Price £30
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Christina Shewell

Christina has worked for many years as spoken voice teacher, presentation skills trainer and coach in the business and education world. She is also a voice specialist speech/language...

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Acceptance and Commitment Training (ACT) for Music Performance Anxiety (MPA) (3-week course)
Monday 6th January 2025
5:00 PM - 7:00 PM
Monday 13th January 2025
5:00 PM - 7:00 PM
Monday 20th January 2025
5:00 PM - 7:00 PM
(London Time)

Acceptance and Commitment Training (ACT) for Music Performance Anxiety (MPA) (3-week course)

Dr David Juncos

In this updated three-part course, you will learn how to detect symptoms of music performance anxiety (MPA) among your students/clients and whether those symptoms are problematic or not. You will also learn about Acceptance and Commitment Training (ACT), an evidence-based psychotherapy and coaching model that aims to promote mindfulness and acceptance of one’s MPA symptoms, while also enhancing performance skills by increasing actions consistent with a musician’s values.

Hormones and female voices: an overview across life span
Tuesday 7th January 2025
5:00 PM - 7:00 PM
(London Time)

Hormones and female voices: an overview across life span

Filipa M.B. Lã

This seminar provides an overview of how sex steroid hormones affect the morphology and function of the female voice across life span. Special emphasis will be given to menopause and aging and how associated changes may affect respiratory, phonatory and resonatory subsystems of the vocal apparatus and, consequently, voice quality and speech.

The Acting Through Song Toolkit: a 3-part course
Wednesday 8th January 2025
11:00 AM - 12:30 PM
Wednesday 15th January 2025
11:00 AM - 12:30 PM
Wednesday 22nd January 2025
11:00 AM - 12:30 PM
(London Time)

The Acting Through Song Toolkit: a 3-part course

Louisa Morgan

Do you work with students who struggle to connect their acting skills with their singing skills? Are your students currently auditioning for professional work, drama schools or entering competitions? Perhaps you are a singing teacher needing to work on performance, but you don’t have a background in acting.