Short Courses & Events / Archive

Therapeutic Singing: Understanding Effective Vocal Health Practices for Music Therapists

Tuesday 9th April 2024, 1:00 PM - 2:00 PM (London Time)

Music therapy is a well-established health practice throughout the United Kingdom. As the British Association for Music Therapy (www.bamt.org) explains: 'Music therapists draw upon the innate qualities of music to support people of all ages and abilities and at all stages of life; from helping newborn babies develop healthy bonds with their parents, to offering vital, sensitive and compassionate palliative care at the end of life'. Graduate training programmes in music therapy are included in a number of prominent universities in the UK and worldwide.

The voice is considered the therapeutic instrument most used in music therapy practice. How is singing in music therapy unique and different from other types of singing? Music therapists across settings and models of practice use their voice for speaking, singing and specific voice-based interventions. But because music therapy is built on the individual client/therapist relationship, the therapist sometimes shouts, or whispers, or produces sounds outside of a comfortable pitch or dynamic range. They need to be prepared to sing in all styles and genres and be competent in musics of many cultures. They frequently sing while accompanying themselves on guitar, piano or percussion. Therapeutic singing requires the music therapist to engage fully in the musical life of the client, and that can be vocally demanding.

Because singing is so prevalent, effective and healthy voice practices have often been assumed rather than taught. Recent research has shown that music therapists are not always fully prepared to maintain vocal health, given the extensive voice use expected in clinical practice. Studies point to significant negative consequences for music therapists due to challenges in vocal health.

This session will share ways of understanding the voice and therapeutic singing and examine proactive ways in which voice educators can support music therapists to promote vocal health. The presenter will give an overview of 2021 research that analysed the ways music therapists used their singing voices clinically, which included (1) foundational vocal skills, (2) vocal engagement, and (3) authenticity.

Demonstrations of these dimensions will be presented along with implications for the education and training of music therapy students. The presenter will share thoughts on ways in which music therapists and voice educators can collaborate to foster better vocal health specific to the unique practice of therapeutic singing.

🏷️ Price £20 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Elizabeth K. Schwartz

Elizabeth K. Schwartz MA, LCAT, MT-BC (New York, United States) spent her music therapy clinical career working in early childhood music therapy and school-based music therapy practice. She frequently presents on music development, music-centred practice and the use of the voice in music therapy.

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Certificate in Foundations of Vocology with Adam Roberts
Monday 2nd June 2025
5:00 PM - 7:00 PM
Monday 9th June 2025
5:00 PM - 7:00 PM
Monday 16th June 2025
5:00 PM - 7:00 PM
Monday 23rd June 2025
5:00 PM - 7:00 PM
Monday 30th June 2025
5:00 PM - 7:00 PM
(London Time)

Certificate in Foundations of Vocology with Adam Roberts

Adam Roberts

This fifteen week (30-hour) Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities.

Nasality in singing: a needed ingredient, a technical fault, or both?
Tuesday 10th June 2025
5:00 PM - 7:00 PM
(London Time)

Nasality in singing: a needed ingredient, a technical fault, or both?

Dr Charlene Santoni

Nasality refers to how much sound comes out of your nose when you speak or sing. It is an important concept in resonant singing instruction, and also one that has been privy to long standing debate. Some believe nasality is a needed ingredient in singing, while others consider nasality a technical fault. This presentation will provide three probable explanations for the opposing views, and a way forward. It will also highlight research that explores how a singing technique (voice focus) influences nasality, which may help to refine current rehabilitation strategies for individuals struggling with hyper- or hyponasal speech!

Using the International Phonetic Alphabet for Accent Coaching!
Wednesday 11th June 2025
2:00 PM - 4:00 PM
(London Time)

Using the International Phonetic Alphabet for Accent Coaching!

Louisa Morgan

Hosted by our very own Louisa Morgan, this session will provide a deeper dive into the methods of delivery of IPA in accent coaching. Here, there will be a more focused scope on the variety of pathways for students looking to learn an accent with IPA. Louisa will allow time to explore the limitations, practical considerations & benefits of each method, at an intermediate level. This exploration of IPA methods beyond the elementary level will allow for a much richer toolkit for you to take with you into all manner of actor training environments.