Short Courses & Events / Archive

Therapeutic Singing: Understanding Effective Vocal Health Practices for Music Therapists

Tuesday 9th April 2024, 1:00 PM - 2:00 PM (London Time)

Music therapy is a well-established health practice throughout the United Kingdom. As the British Association for Music Therapy (www.bamt.org) explains: 'Music therapists draw upon the innate qualities of music to support people of all ages and abilities and at all stages of life; from helping newborn babies develop healthy bonds with their parents, to offering vital, sensitive and compassionate palliative care at the end of life'. Graduate training programmes in music therapy are included in a number of prominent universities in the UK and worldwide.

The voice is considered the therapeutic instrument most used in music therapy practice. How is singing in music therapy unique and different from other types of singing? Music therapists across settings and models of practice use their voice for speaking, singing and specific voice-based interventions. But because music therapy is built on the individual client/therapist relationship, the therapist sometimes shouts, or whispers, or produces sounds outside of a comfortable pitch or dynamic range. They need to be prepared to sing in all styles and genres and be competent in musics of many cultures. They frequently sing while accompanying themselves on guitar, piano or percussion. Therapeutic singing requires the music therapist to engage fully in the musical life of the client, and that can be vocally demanding.

Because singing is so prevalent, effective and healthy voice practices have often been assumed rather than taught. Recent research has shown that music therapists are not always fully prepared to maintain vocal health, given the extensive voice use expected in clinical practice. Studies point to significant negative consequences for music therapists due to challenges in vocal health.

This session will share ways of understanding the voice and therapeutic singing and examine proactive ways in which voice educators can support music therapists to promote vocal health. The presenter will give an overview of 2021 research that analysed the ways music therapists used their singing voices clinically, which included (1) foundational vocal skills, (2) vocal engagement, and (3) authenticity.

Demonstrations of these dimensions will be presented along with implications for the education and training of music therapy students. The presenter will share thoughts on ways in which music therapists and voice educators can collaborate to foster better vocal health specific to the unique practice of therapeutic singing.

🏷️ Price £20 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Elizabeth K. Schwartz

Elizabeth K. Schwartz MA, LCAT, MT-BC (New York, United States) spent her music therapy clinical career working in early childhood music therapy and school-based music therapy practice. She frequently presents on music development, music-centred practice and the use of the voice in music therapy.

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Thursday 5th February 2026
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Thursday 12th February 2026
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(London Time)

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Dr Elisa Monti

Updated for 2026, this five-part certificate course is designed to help participants learn the theory and practice of trauma-sensitive approaches. The concepts and activities included are tailored to meet the needs of voice specialists who want to acquire more specific tools to navigate the space with their students and colleagues.

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Tuesday 17th February 2026
10:00 AM - 12:00 PM
(London Time)

Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review

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Dr Claire Thomas

This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.

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Thursday 19th February 2026
8:30 AM - 10:30 AM
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It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety

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Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...