Trauma And Mental Health Awareness Course For Singing Teachers/Practitioners
Wednesday 9th March 2022, 12:00 PM - Wednesday 16th March 2022 7:00 PM (London Time)
In this two-part course, participants will learn about the nature of trauma and its impact on the body, brain and voice and some of the research surrounding this topic.
Part 1 will be largely focused on the science and theory of trauma and mental health.
Part 2 will explore the relationship with voice and offer ideas for embedding trauma-informed principles in teaching practice.
This is for teachers who would like to gain an overview of the theory and some ideas for practical application, to move their practice towards being trauma and mental health aware.
This is an introductory course and does not qualify participants as trauma and mental health specialists.
Emily Foulkes
Emily gained a Distinction in her Master’s in Voice Pedagogy, specialising in Singing for Mental Health, Pain Management, and Trauma-Informed Practice...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 16th October 2025
5:00 PM - 7:00 PM
(London Time)
Why Bother with Acoustic Vocal Pedagogy?
Ken Bozeman
Most of the acoustic energy activated by singing stays within the vocal tract—only a small percentage is radiated for the outside world to hear. This internal reverberating energy is powerful...
Friday 17th October 2025
12:00 PM - 2:00 PM
(London Time)
Introduction to gender-affirming voice coaching
Gillie Stoneham
This introductory short course is aimed at those who work in voice coaching and/or therapy who wish to develop some basic knowledge and skills in working with trans and gender-diverse people to support voice and communication exploration.
Friday 17th October 2025
3:00 PM - 5:00 PM
(London Time)
Embodied voice research: negotiating the ‘inner’ and outer’
Marth Munro
The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.