Short Courses & Events / Archive

‘U Can’t Touch This’: Consensual Touch in Teaching Singing

Thursday 6th March 2025, 5:00 PM - 7:00 PM (London Time)

As we continue to navigate the expectations of the use of touch in today’s social climate, the conversations of how we ethically integrate this into our pedagogical approach of teaching voice are alive and important areas of consideration.

Practitioners are required through educational institutions to respect personal space and uphold principles of content around physical touch, often at odds with historical and cultural practices in teaching singing education. This workshop aims to create a space to explore a harm-reductive toolkit that allows singers to benefit from the use of consensual touch in singing lessons without their bodily autonomy being compromised.

As practitioners, we are increasingly aware of how physical contact can positively influence a singer’s teaching and learning experience.  From anatomical accuracy to the efficiency of assessment from one unique voice to another, the results can be transformative.  

Key areas of investigation include:

  • ⁠ ⁠Impact of touch or physical contact in teaching  Vocals at Further & Higher Education as well as private practice.
  • ⁠ ⁠Boundaries around tutor/student physical contact in the teaching and learning of singing.  
  • ⁠ ⁠Considerations of how consent interacts with these findings.  

This workshop considers how consent practices can be integrated into learning spaces, what that means for voice teachers and how it can empower both the artistic and individual voice in the craft of singing and communication.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Lucinda Allen

Lucinda has more than 15 years of experience as a voice, singing, and MDH breathing coordination coach. Her private coaching practice, Voice Unlocked, serves clients including performers from West End shows as well as touring artists such as Grammy award winner Lalah Hathaway and UK artists Kelli-Leigh, Newton Faulkner, JP Cooper, and Skin (Skunk Anansie).

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Vocal Health, Well-being and Hindustani Classical Music
Tuesday 2nd December 2025
2:00 PM - 4:00 PM
(London Time)

Vocal Health, Well-being and Hindustani Classical Music

Dr Sunny Sandhu

Join Dr Sunny Sandhu for a 2-hour course that introduces participants to the ancient practice of kharaj exercises in the Dhrupad tradition, focusing on the deep and resonant lower octave of the voice. Through guided breathing, slow tonal exploration, and sustained notes, students will learn techniques that strengthen the vocal cords, expand range, and develop clarity and stability in sound production!

(R)evolutionary Voice Training: harnessing human instinct to accelerate vocal transformation!
Thursday 4th December 2025
5:00 PM - 7:00 PM
(London Time)

(R)evolutionary Voice Training: harnessing human instinct to accelerate vocal transformation!

Maddie Tarbox

Human beings and our vertebrate ancestors have been communicating via vocalization for millions of years – those sounds did not start as complex language, but as animal mimicry, acoustic cuing, and emotional primal sounds. Join Maddie Tarbox for this two hour session as she unpicks the repertoire of instinctive shortcuts that can lower cognitive load and accelerate vocal change!

Low Male Voices (LMVs): Development, Technique, and Repertoire
Tuesday 9th December 2025
5:00 PM - 7:00 PM
(London Time)

Low Male Voices (LMVs): Development, Technique, and Repertoire

Dr Dann Mitton

Join Dr Dann Mitton for this two hour workshop where he explores the Development, Techniques, and Repertoire favoured for Low Male Voices (LMVs). Typically labelled as 'Bass' and 'Baritone', these classifications are used in classical music, choral settings, and vocal pedagogy to help determine suitable repertoire and vocal roles. In contemporary music, the distinctions are less rigid but still useful for understanding vocal range and timbre.