News / Blog

Acknowledging International Stuttering Awareness Day

Friday 21st October 2022

Stammering (also known as stuttering) is a fluency disorder which causes involuntary disruptions of verbal utterances when speaking or reading aloud (American Psychiatric Association, 1994). It is characterized by repetition of whole words or parts of words and prolongations of speech sounds, which results in disruption to the normal flow of speech.

The condition occurs most often in young children, whilst their speech and language skills are developing (Wan et al, 2010) and consequently is often first diagnosed in childhood (American Psychiatric Association, 1994). Children who stammer may be perceived negatively by children who do not stammer and may be more susceptible to bullying (Langevin & Hagler, 2004). About 1% of adults continue to be affected by stammering, and there are more men than women who typically stammer in adulthood (Prasse & Kikano, 2008).

Some researchers have investigated the impact singing has on stuttering: A study conducted by Healy, Mallard and Adams (1976) asked participants to read or sing the lyrics of well-known songs with original or altered text. A reduction of stuttering was greater in the singing condition compared to the reading condition. Familiarity with the lyrics played a role in producing this effect: The greatest reduction in stammering was recorded when familiar (original) lyrics were being sung (Healey, Mallard and Adams, 1976)

In a later study, 15 different fluency-enhancing methods (including singing) were researched by Andrews, Howie, Dozsa and Guitar (1982). The results determined that singing songs, chosen by the participants, for 10 minutes, reduced the frequency of stuttering by over 90%. This may have be due to the increased phonation duration.

A literature review investigating the therapeutic effects of singing on neurological disorders, including stammering concluded that increased phonation duration, intonation, as well as familiarity may all contribute to the fluency-enhancing effect of singing to reduce stammering (Wan et al, 2010).

A reduced fluency in speech, because of a stammer, may limit vocational prospects (Craig & Calver, 1991; Bloodstein, 1995).

The theme for ISAD 2022 is ‘Being Seen, Being Heard – Representation and normalization of stuttering in the mainstream’.

This year’s conference continues to bring awareness to stuttering, with the aim of reducing stigma and promoting understanding.

When talking with someone who stutters, here are a few tips to keep the conversation comfortable:

  • Listen – focus on what the speaker is saying, rather than how they say it
  • Don’t make fun or jokes about a person with a stutter
  • Avoid interrupting them
  • Do not complete sentences as it can be frustrating or unhelpful if you get it wrong
  • Offer to introduce them to colleagues, friends or peers
  • Ask if there are any ways you can make it easier for them

(Stamma, 2022)

 

References

American Psychiatric Association (1994) Diagnostic and Statistical Manual of Mental Disorders (4th edn) (DSM–IV). Washington, DC: APA

Andrews G, Howie PM, Dozsa M, Guitar BE. (1982) Stuttering: Speech pattern characteristics under fluency-inducing conditions. Journal of Speech and Hearing Research. 25:208–216

Bloodstein, O. (1995) A Handbook on Stuttering (5th edn). San Diego, CA: Singular Publishing Group.

Craig, A. R. & Calver, P. (1991) Following up on treated stutterers. Studies of perceptions of fluency and job status. Journal of Speech Hearing Research, 34, 279–284

Craig, A., & Tran, Y. (2006). Fear of speaking: Chronic anxiety and stammering. Advances in Psychiatric Treatment, 12(1), 63-68

Healey EC, Mallard AR, Adams MR. (1976) Factors contributing to the reduction of stuttering during singing. Journal of Speech and Hearing Research. 1976;19:475–480

Langevin, M. & Hagler, P. (2004) Development of a scale to measure peer attitude toward children who stutter. In Evidence-Based Treatment of Stuttering. Empirical Issues and Clinical Implications (ed. Bothe, A. K.) pp. 139–171. Mahwah, NJ: Lawrence Erlbaum Associates.

Prasse JE, Kikano GE. (2008) Stuttering: An overview. American Family Physician. 77:1271–1276

Stamma (2022) About Stammering: Talking with Someone Who Stammers. (Online) https://stamma.org/about-stammering/talking-someone-who-stammers (Accessed 20/10/22)

Wan CY, Rüber T, Hohmann A, Schlaug G. (2010) The Therapeutic Effects of Singing in Neurological Disorders. Music Percept.  Apr 1;27(4):287-295


Recent Posts

Student Interviews

How the MA Voice Pedagogy helped Blue Cain build a career as a singing teacher

Voice Study Centre
Wednesday 5th August 2026

When Blue Cain joined the MA Voice Pedagogy, they weren't an established singing teacher. In this interview, they share how the programme helped them launch a career in singing teaching, discuss their experience of studying online with ADHD, and reflect on their research into gender-diverse voices.

Read More...
Course Reviews

Masterclass Insights: Applying the Meisner Technique to Singing with Jillian Paige

Voice Study Centre
Tuesday 4th August 2026

Yesterday, the Voice Study Centre recently welcomed back Jillian Paige, founder of Meisner in Music, for an interactive workshop exploring how Sanford Meisner’s renowned acting methodology can be transformed into a practical framework for vocalists. While traditional acting approaches often prioritize internal character analysis or objective-driven choices, the Meisner Technique operates on a foundational principle: to sing freely and express fully, your focus must be directed outward. So what did we learn?

Read More...
Blog

How MA Voice Pedagogy Student Aramat Arnheim-Sharon Contributed to Published Voice Research

Voice Study Centre
Wednesday 29th July 2026

Watch our interview with MA Voice Pedagogy student Aramat Arnheim-Sharon as she discusses her contribution to a published research chapter exploring voice, vibration, wellbeing and emerging health research. Discover how postgraduate study supported her journey into academic research, and hear about her current MA research and the development of new tools for voice pedagogy.

Read More...