A Critical Overview of Perceptual Motor Learning: Coaching Implications
Wednesday 23rd April 2025, 12:00 PM - 2:00 PM (London Time)
Perceptual motor learning (PML) theory is characterised by the convergence of perception and action. PML focuses on how we teach, not what we teach, in order to optimise learning and ultimately, performance.
This short course will outline strategies for teaching and coaching with both long- and short-term goals in mind. These strategies have been adapted for the voice from motor learning theory and the Alexander Technique.
Specific topics discussed will include:
- How we learn: A quick overview
- Relevance of motivation
- Optimising practice strategies
- Perception and sensory feedback
- Tactics to interrupt and break injurious habits
- Developing customised practice guidelines
- Locus of attention
- Intrinsic and extrinsic feedback
- Matching extrinsic feedback to students’ level and goals
- Coaching modifications preceding performance
- Relevance of the Alexander Technique
Expert-level performance strategies discussed will include automaticity and attentional flexibility.
The goal of this course is to provide adaptive guidance for effective learning that includes PML research, coach or teacher expertise, and the viewpoint of the student.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Michele Capalbo
Michele Capalbo is a performer, adjudicator, lecturer, teacher and researcher. A Canadian singer with over two decades of international performance experience in opera and concert, her specialty is the music of Verdi and Puccini.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 1st May 2025
5:00 PM - 7:00 PM
Thursday 8th May 2025
5:00 PM - 7:00 PM
Thursday 15th May 2025
5:00 PM - 7:00 PM
Thursday 22nd May 2025
5:00 PM - 7:00 PM
Thursday 29th May 2025
5:00 PM - 7:00 PM
(London Time)
Trauma-Informed Voice Professional Certificate with Dr Elisa Monti
Dr Elisa Monti
This five-part certificate course is designed to help participants learn the theory and practice of trauma-informed approaches. The concepts and activities included are tailored to meet the needs of voice specialists who want to acquire more specific tools to navigate the space with their students and colleagues.
Wednesday 7th May 2025
2:00 PM - 4:00 PM
Wednesday 14th May 2025
2:00 PM - 4:00 PM
Wednesday 21st May 2025
2:00 PM - 4:00 PM
Wednesday 28th May 2025
2:00 PM - 4:00 PM
Wednesday 4th June 2025
2:00 PM - 4:00 PM
(London Time)
Advanced Certificate in Accents and Phonetics for Coaching Actors
Louisa Morgan
12 week course! Sharpen your coaching skills, discover new tools, and learn how to connect more deeply with your clients in our advanced certificate in accents and phonetics for coaching actors. The course provides an in-depth look at some of the key fundamental aspects of coaching accents, like phonetics and prosody, as well as introducing some theory and practice-based concepts relating to the complexities of this field, such as coaching for neurodiverse performers, English as an additional language (EAL) speakers and identity politics.
Tuesday 20th May 2025
12:00 PM - 1:00 PM
(London Time)
Optimising Voice Quality through Nasal Hydration. What are the Implications for the Voice Community?
María Borragán Salcines
Carles Expósito Rovira
The vocal folds need a high degree of humidity to be able to vibrate at their normal high frequency. Hydration makes the tissue more flexible and more turgid. The moisture of the tissue is one of the first factors that is lost when there is a pathology or when an unusual overload is suffered. Voice professionals often deal with stress, anxiety, fatigue, and changes of temperature and environment like the dryness of the performing spaces, due to factors like air conditioning or heating. All these factors affect the voice and can make the performer activity more difficult!