Securing Belt, Mix, and Legit for Musical Theatre
Thursday 10th July 2025, 5:00 PM - 7:00 PM (London Time)
Today, musical theatre singers are required to perform in a variety of vocal styles, ranging from legit to rock and pop. This demands a deep understanding of the systematic adjustments necessary to master these styles while maintaining a balanced and sustainable vocal technique.
This course explores the various systematic negotiations and approaches necessary for legit, mixed, and belt voice qualities for authentic performance. Participants will learn how to develop vocal exercises for voice habilitation, as well as targeted aesthetic exercises. We will discuss cues for registration awareness and development, necessary vowel modifications, the impact of emotional stimuli, effective breathing strategies, and simple speech organization of the voice that allow your students to navigate the many styles of musical theatre singing!
Kevin Wilson
Kevin Wilson joined the Wanda Bass School of Music in the Fall of 2024. A native of Oklahoma, he comes to Oklahoma City University after spending 16 years as a Professor of Voice and Director of Vocal Pedagogy at the Boston Conservatory. While at the conservatory, he established the Master of Music degree in Vocal Pedagogy, the Master of Fine Arts degree in Musical Theatre Vocal Pedagogy, and the annual Vocal Pedagogy Professional Workshop. At OCU, he teaches Advanced Vocal Pedagogy and is the Director of the annual Vocal Pedagogy and Vocology Intensive. In 2024, he received the Excellence in Teaching Award from OCU.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.