Accent Coaching: Tips For Working With Actors, Singers, And Directors
Thursday 21st July 2022, 5:00 PM - 7:00 PM (London Time)
This two-hour workshop explores accent coaching from a variety of perspectives and includes practical strategies for coaching clients.
Topics will include coaching accents to clients with varying levels of experience, working with directors, adjusting to changing demands on stage or on set, exploring the different needs of actors and singers, and organizing session curriculum.
Participants will gain a wide body of tools they can use immediately in their studio or classroom and additional resources for continued growth.
Dr Rockford Sansom
Rockford Sansom, PhD, MFA, is a voice trainer and theatre professor. As a voice coach, he has worked with actors Off-Broadway and in regional theatres, Fortune 100 CEOs...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 19th October 2026
2:00 PM - 4:00 PM
Tuesday 20th October 2026
2:00 PM - 4:00 PM
(London Time)
Introduction to Vocal Acoustics for Spoken and Sung Voice
Gökçe Kutsal
This course is designed to break down the fundamentals of acoustics for both spoken and sung voice in a beginner-friendly, accessible way — so you can easily understand and apply these concepts to your teaching or research.
Tuesday 20th October 2026
5:00 PM - 7:00 PM
(London Time)
Practical Magic*: The Art & Science of Balancing Voices with SOVTs and VFEs
Melanie Tapson
Through live demonstrations, group practice, and peer coaching, you’ll learn how to teach SOVTs and VFEs with clarity and precision, integrate their principles to support vocal health, recovery, and stylistic flexibility and troubleshoot challenges and adapt exercises for individualized results.
Tuesday 27th October 2026
5:00 PM - 7:00 PM
(London Time)
Pop Pedagogy - an Overview
Kim Chandler
Some successful pop stars are celebrating career lengths of over sixty years, having been around since the 1950s when pop music emerged and diversified from jazz, so pop singing has been in existence sufficiently long now that, for teaching purposes, we can observe and analyse what type of approach serves it best.