Attention Deficit Hyperactivity Disorder (ADHD) and Musical Behaviour – the Significance of Context and Implications for Pedagogy
Tuesday 13th February 2024, 1:00 PM - 2:00 PM (London Time)
The focus for the presentation is in (a) reporting the nature and incidence of Attention Deficit Hyperactivity Disorder (ADHD), (b) offering an understanding of how engaging successfully in music can modify and reduce ADHD behaviour and (c) exploring the implications for music pedagogy in general and singing in particular.
According to the UK’s National Institute for Health and Care Excellence (NICE, August 2023), the global prevalence of ADHD in children is estimated as around 5%, although US studies report a higher incidence of 8-10% of young people.
Concerning the nature of ADHD, it tends to be reported more in boys than girls - a sex ratio that is in line with other types of special needs, such as autism. In adults, the reported proportion tends to be lower at 3-4%, and still with a bias towards males of 3:1. The incidence is also reported to be associated with poverty, lower family income and social class. In adults, it is more prevalent in the unemployed, those with disabilities and those with mental health issues.
ADHD is a neurodevelopmental disorder characterised by persistent inattention, hyperactivity, and impulsivity. Of these three types, the inattentive subtype accounts for 20-30% of cases, and the hyperactive-impulsive subtype accounts for around 15% of cases, whereas the combination of all three accounts for 50-75% of cases (BMJ Best Practice, 2023). Negative impacts of ADHD are often reported in academic performance, emotional and cognitive functioning, and peer relationships.
The presentation will report evidence of recent research into ADHD and music education, highlighting the potential benefits of structured personalised music education (Wilde & Welch, 2022) and also music therapy (Martin-Maratinos et al, 2023). The research findings suggest that, notwithstanding ADHD-related symptoms, individuals can engage successfully in music and acquire musical skills. Moreover, ADHD is not a static condition in music, but variable according to pedagogical and musical context.
Dr Eva Wilde
Dr Eva Wilde is a researcher in the fields of music education and music psychology, and completed her PhD in 2019 at the UCL Institute of Education, University College London, UK.
Professor Graham Welch
Professor Graham Welch PhD is Established Chair of Music Education at the University College London (UCL) Institute of Education (formerly University of London), a role he has held since 2001.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)
Performing Pain: Vocal Health in Emotional Roles!
Louisa Morgan
How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.
Tuesday 24th February 2026
5:00 PM - 7:00 PM
(London Time)
Incorporating CBT principles within vocal health and voice care
Dr Luke Aldridge-Waddon
Join Dr Luke Waddon as he introduces the principles and techniques within cognitive-behavioural therapy (CBT) in relation to the voice and voice care. He will discuss psychological factors relevant to the development and maintenance of voice disorders and how these might be approached from a cognitive-behavioural perspective. He will describe theoretical concepts and therapeutic components often used within CBT and consider how these might be applied when working with voice users.
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)
Sex differences in VOICE!
Dr Richard Lissemore
This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.