Basics of Voice Acoustics for Voice Pedagogues
Thursday 26th October 2023, 5:00 PM - 7:00 PM (London Time)
In this course, we will explain the basics of the acoustics of human voice. We will answer questions such as: What is sound? How can sound be investigated? We will shortly explain four basic characteristics of sound, i.e., fundamental frequency, sound spectrum, sound intensity and length, and their relationship to the perceived sound qualities, i.e., pitch, timbre, loudness and sound duration, respectively.
Next, we will look at different basic types of sound: pure tones, complex tones and noises. We will show how these sounds can be recognized perceptually by ear, as well as objectively by simple analysis of the sound waveform and of the sound spectrum. We will demonstrate the production of such vocal sounds live and show how we can understand and analyze them using the Voce Vista software.
Further, we will cover the basics of the source-filter theory of voice production and talk about how the voice source and filter differently contribute to the produced vocal sound. We will talk about the harmonics (overtones) and formants, which are important for voice timbre. We will also talk about the role of formants for production of vowels as well as for different singing voice qualities. We will show how we can easily synthesize voice of a singer using a software based on the principles of the source-filter theory.
Finally, we will take a look at the voice resonance phenomenon and discuss the contribution of subglottal and supraglottal (vocal tract) cavities to the resulting vocal sound. We explain and discuss three possible strategies for improving the “resonance in voice”: formant tuning, singer’s formant and changes of vocal tract inertance. By the end of the course, you will have a better idea on how voice acoustics can provide more insights and better understanding of human voice production and how can it be applied to singing voice.
Attend both Jan Svec's Basics of Voice Acoustics for Voice Pedagogues and Gökçe Kutsal's Acoustics in the Voice Studio and save £10!
Jan Svec
Jan G. Svec, Ph.D. is an internationally renowned Czech physicist performing basic research on production of human voice. He holds a MSc degree in fine mechanics and optics and PhD degrees in biophysics as well as in medical sciences...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 16th December 2025
2:00 PM - 4:00 PM
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In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.
Tuesday 16th December 2025
5:00 PM - 7:00 PM
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Unclenching the Jaw: Options from the Physio Lens
Walt Fritz
“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.
Thursday 18th December 2025
3:00 PM - 5:00 PM
(London Time)
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Professor Conroy Cupido
Join Professor Conroy Cupido as he offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song.