Short Courses & Events / Archive

Beyond 4/4 Time

Thursday 28th October 2021, 5:00 PM - 7:00 PM (London Time)

Vocal exercises are the bed rock of vocal practice and they can be used to develop a singer’s musicianship alongside technique. Just as a train track has two rails to stay balanced, it is proposed by the presenter that a “two-track” approach to a singer’s development would be equal emphasis on technique AND musicianship throughout training, as opposed to the more “monorail” emphasis on technique alone. To use another metaphor, we can stand on one leg but we are more balanced standing on two. As the eminent classical pedagogue, Richard Miller, sagely said: “Be first a musician and second a singer”. But how can this objective be achieved in a lesson context?

In her presentation last year – “Beyond The Major Scale” – Kim Chandler suggested that there is currently an over-emphasis and over-reliance on major scale-based patterns in vocal exercises at the expense of the appetising array of other musical patterns that vocal melodies are constructed on, e.g. scales such as the Natural Minor & the Pentatonics and modes such as the Dorian & Lydian.

This presentation is the rhythmic counterpart, suggesting that there is also an over-abundance of songs written in 4/4 time in pop repertoire at the expense of other possibilities.

From analysing and singing through pop song excerpts across the eras, this interactive workshop will introduce music based on a range of other time signatures including odd meters, compound meters, cross rhythms etc. The presenter will then show how rhythmic-based work can be applied to technically-demanding vocal exercises that are also musically challenging. This concept can be applied to any style of singing and doubles the educational value of exercises.

Kim Chandler

Kim Chandler (MMus BMusEd) is a renowned contemporary vocal coach & session singer. She runs a busy private studio in Marbella, Spain, where she coaches an elite clientele of stadium band singers, including BRIT award winners & GRAMMY nominees, artists from a range of genres, professional singers and vocal coaches online.

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Introduction to Vocal Psychotherapy: Songs of the Self
Tuesday 23rd June 2026
5:00 PM - 7:00 PM
(London Time)

Introduction to Vocal Psychotherapy: Songs of the Self

Dr. Diane Austin

This presentation draws on the methods and techniques of Vocal Psychotherapy, a new in-depth model of music psychotherapy developed by Dr. Austin, that incorporates breath work, natural sounds, vocal improvisation, and songs and dialogue within a client and therapist relationship to facilitate intrapsychic and interpersonal change and growth.

Unclenching the Jaw: Options from the Physio Lens
Thursday 2nd July 2026
5:00 PM - 7:00 PM
(London Time)

Unclenching the Jaw: Options from the Physio Lens

Walt Fritz

“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.

Certificate in Foundations of Vocology with Adam Roberts
Monday 6th July 2026
5:00 PM - 7:00 PM
Friday 10th July 2026
5:00 PM - 7:00 PM
Monday 13th July 2026
5:00 PM - 7:00 PM
Friday 17th July 2026
5:00 PM - 7:00 PM
Monday 20th July 2026
7:00 PM - 7:00 PM
Friday 24th July 2026
5:00 PM - 7:00 PM
(London Time)

Certificate in Foundations of Vocology with Adam Roberts

Adam Roberts

This 30-hour Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities. Each week, advanced students contribute to cohort-centred learning with additional resources, discussion facilitation, and critical analysis. The course assessment will also be useful for those who wish to prepare for the PAVA recognised designation.