Short Courses & Events / Archive

Biofeedback in Vocal Pedagogy: Real-time success using mobile application technology

Thursday 15th April 2021, 5:00 PM - 7:00 PM (London Time)

Biofeedback in Vocal Pedagogy:

Real-time success using mobile application technology

Heidi Moss Erickson, B.A.Bio, B.Mus.Voice, M.Sci.

Advancements in mobile technology have revolutionized nearly every sector of our lives. Like a virtual fingerprint of our individual preferences, the seemingly endless array of mobile apps can define and enhance our interests. Music applications are a large part of this industry, and new generations of singers use their mobile devices to listen to songs, record their lessons, read, and annotate scores. Newer analysis and recording applications geared towards advanced musicians also include various forms of spectrograms for acoustic visualization.

However, spectrographic technology used by voice scientists and pedagogues has not fully crossed over into the mainstream population of students and teachers. One reason for the lack of pedagogical use is that acoustic computer software has been geared primarily towards research and academic-oriented pursuits.  Acoustic software can be complicated to learn and tedious to analyze. In addition, the traditional teacher/student paradigm, proven successful for centuries, is a very effective way of teaching voice. Thus, there can be resistance to introduce new forms of pedagogic analysis in an already well-functioning studio.

However, the integration of technology for targeted purposes can aid both the student and the teacher in many important ways. In most instances it leads to increased accuracy in a shorter amount of time. It also allows the student to self-check particular directives in their own individual practice. Identifying beneficial areas of biofeedback is critical in determining where these tools can have maximum effectiveness.

How we practice efficiently and effectively’ is fast becoming one of the holy grails in our field.  Visual biofeedback not only complements all of these processes, it also enhances both the speed and the output of targeted motor coordination.

 

The most critical element of introducing this technology is to identify relevant pedagogical questions that can easily be solved via visual biofeedback. Ideally, these approaches would supplement traditional methods (i.e. teacher/student; auditory/ kinesthetic feedback), but allow progress to happen faster and enhance understanding of processes.

This lecture will teach the science of biofeedback, how it relates to singing, and demonstrate the value of biofeedback for specific pedagogical aims.

Sample biofeedback mobile app readout:

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Heidi Moss Erickson

Heidi Moss, is a Bay Area performer, educator, and scientist. Noted for her “rich and radiant soprano” (Edward Oriz, Sacramento Bee) has performed on national and international stages...

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.

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Staging A Coup: History meets science for the coup de la glotte!

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Historical vocal pedagogy, voice science, voice health, and performance practice come together in this presentation from Kourtney Austin! The session addresses the historical context for teaching the onset as a fundamental skill, along with a review of a recent publication examining the acoustic effects of different types of onset, and practical studio implementation of onset training. The aforementioned publication is the first known research to objectively measure the acoustic implications of the coup de la glotte, and delineate it from the hard glottal attack.

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Letting the Text Live: Reading Aloud with Expression!

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This 2-hour interactive session is designed to help you make more deliberate, expressive choices in your speaking of the written word. It will involve plenty of practical exploration and will cover tips and techniques for working with the voice to lift the text off the page. Work with me to refine nuance, precision, and expressive range. We’ll explore a variety of text samples to cover a wide range of real-world situations, so you can get a feel for the different styles and approaches. If you want your spoken text to sound purposeful, engaging, and unmistakably yours, this session will invite you to play with some tools to do just that.