Short Courses & Events / Archive

Biofeedback in Vocal Pedagogy: Real-time success using mobile application technology

Thursday 15th April 2021, 5:00 PM - 7:00 PM (London Time)

Biofeedback in Vocal Pedagogy:

Real-time success using mobile application technology

Heidi Moss Erickson, B.A.Bio, B.Mus.Voice, M.Sci.

Advancements in mobile technology have revolutionized nearly every sector of our lives. Like a virtual fingerprint of our individual preferences, the seemingly endless array of mobile apps can define and enhance our interests. Music applications are a large part of this industry, and new generations of singers use their mobile devices to listen to songs, record their lessons, read, and annotate scores. Newer analysis and recording applications geared towards advanced musicians also include various forms of spectrograms for acoustic visualization.

However, spectrographic technology used by voice scientists and pedagogues has not fully crossed over into the mainstream population of students and teachers. One reason for the lack of pedagogical use is that acoustic computer software has been geared primarily towards research and academic-oriented pursuits.  Acoustic software can be complicated to learn and tedious to analyze. In addition, the traditional teacher/student paradigm, proven successful for centuries, is a very effective way of teaching voice. Thus, there can be resistance to introduce new forms of pedagogic analysis in an already well-functioning studio.

However, the integration of technology for targeted purposes can aid both the student and the teacher in many important ways. In most instances it leads to increased accuracy in a shorter amount of time. It also allows the student to self-check particular directives in their own individual practice. Identifying beneficial areas of biofeedback is critical in determining where these tools can have maximum effectiveness.

How we practice efficiently and effectively’ is fast becoming one of the holy grails in our field.  Visual biofeedback not only complements all of these processes, it also enhances both the speed and the output of targeted motor coordination.

 

The most critical element of introducing this technology is to identify relevant pedagogical questions that can easily be solved via visual biofeedback. Ideally, these approaches would supplement traditional methods (i.e. teacher/student; auditory/ kinesthetic feedback), but allow progress to happen faster and enhance understanding of processes.

This lecture will teach the science of biofeedback, how it relates to singing, and demonstrate the value of biofeedback for specific pedagogical aims.

Sample biofeedback mobile app readout:

picture2

Heidi Moss Erickson

Heidi Moss, is a Bay Area performer, educator, and scientist. Noted for her “rich and radiant soprano” (Edward Oriz, Sacramento Bee) has performed on national and international stages...

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)

Learn to Coach RP and SSBE – a Certificate in Accent Coaching

Louisa Morgan

This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.

The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers
Tuesday 17th March 2026
5:00 PM - 7:00 PM
(London Time)

The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers

Dr. Alyssa Becker

Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!

 Facilitating Jaw Release Through Improved Habits of Stance and Alignment
Wednesday 18th March 2026
5:00 PM - 7:00 PM
(London Time)

Facilitating Jaw Release Through Improved Habits of Stance and Alignment

Ruth Williams Hennessy

Are you a singer or speaker struggling with stubborn jaw tension that just won't quit? Even with elite training, the "stuck" jaw is often a symptom of a surprising culprit: your feet! Join Ruth Hennessy in this interactive workshop where she bridges the gap between podiatry and phonation, moving beyond "temporary fixes" to address the physical misalignments that bottleneck your performance.