Biofeedback in Vocal Pedagogy: Real-time success using mobile application technology
Thursday 15th April 2021, 5:00 PM - 7:00 PM (London Time)
Biofeedback in Vocal Pedagogy:
Real-time success using mobile application technology
Heidi Moss Erickson, B.A.Bio, B.Mus.Voice, M.Sci.
Advancements in mobile technology have revolutionized nearly every sector of our lives. Like a virtual fingerprint of our individual preferences, the seemingly endless array of mobile apps can define and enhance our interests. Music applications are a large part of this industry, and new generations of singers use their mobile devices to listen to songs, record their lessons, read, and annotate scores. Newer analysis and recording applications geared towards advanced musicians also include various forms of spectrograms for acoustic visualization.
However, spectrographic technology used by voice scientists and pedagogues has not fully crossed over into the mainstream population of students and teachers. One reason for the lack of pedagogical use is that acoustic computer software has been geared primarily towards research and academic-oriented pursuits. Acoustic software can be complicated to learn and tedious to analyze. In addition, the traditional teacher/student paradigm, proven successful for centuries, is a very effective way of teaching voice. Thus, there can be resistance to introduce new forms of pedagogic analysis in an already well-functioning studio.
However, the integration of technology for targeted purposes can aid both the student and the teacher in many important ways. In most instances it leads to increased accuracy in a shorter amount of time. It also allows the student to self-check particular directives in their own individual practice. Identifying beneficial areas of biofeedback is critical in determining where these tools can have maximum effectiveness.
‘How we practice efficiently and effectively’ is fast becoming one of the holy grails in our field. Visual biofeedback not only complements all of these processes, it also enhances both the speed and the output of targeted motor coordination.
The most critical element of introducing this technology is to identify relevant pedagogical questions that can easily be solved via visual biofeedback. Ideally, these approaches would supplement traditional methods (i.e. teacher/student; auditory/ kinesthetic feedback), but allow progress to happen faster and enhance understanding of processes.
This lecture will teach the science of biofeedback, how it relates to singing, and demonstrate the value of biofeedback for specific pedagogical aims.
Sample biofeedback mobile app readout:

Heidi Moss Erickson
Heidi Moss, is a Bay Area performer, educator, and scientist. Noted for her “rich and radiant soprano” (Edward Oriz, Sacramento Bee) has performed on national and international stages...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)
Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss
This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
Dr David Cane
Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)
Embodied voice research: negotiating the ‘inner’ and outer’
Marth Munro
The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.