Towards a Jazz Pedagogy: Lessons from Legends and Educators!
Tuesday 29th July 2025, 5:00 PM - 7:00 PM (London Time)
This two-hour virtual workshop explores the foundational tenets of jazz pedagogy as both a conceptual and practical framework for teaching. Drawing from my research in “Towards a Jazz Pedagogy: Learning with and from Jazz Greats and Great Educators,” we’ll investigate how jazz (its historical and cultural legacy, structure, improvisation, and relationality) can be mobilized to inform dynamic, liberatory educational practice.
Through an interdisciplinary lens that bridges Black studies, music, and critical pedagogy, this session examines what educators might learn from the likes of John Coltrane, Miles Davis, and Betty Carter, as both musicians and expert teachers. Participants will engage with activities that illuminate how jazz insists on listening, freedom, and collaboration, qualities often overlooked in contemporary educational spaces.
The session will offer a blend of lecture, short media clips, and reflective prompts to help attendees consider how jazz can reshape our pedagogical methods, classroom culture, and relationships with learners. We will explore key questions like: How can improvisation serve as a model for culturally responsive teaching? What does it mean to practice improv within a curriculum? And what can the jam session teach us about assessment?
This workshop is ideal for educators, voice practitioners, and creative facilitators who are interested in centering Black cultural knowledge, honoring artistic practices as intellectual traditions, and expanding the possibilities of teaching and learning.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Autumn Griffin
Dr. Autumn A. Griffin is an Assistant Professor of Urban Education at the University of North Carolina at Charlotte and a 2025 Spencer Postdoctoral Fellow. Her scholarship sits at the intersection of Black girlhood studies, critical media literacies, and liberatory pedagogies, with particular attention to how Black cultural traditions offer new visions for education.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 28th September 2026
1:00 PM - 2:30 PM
Tuesday 29th September 2026
1:00 PM - 2:30 PM
Wednesday 30th September 2026
1:00 PM - 2:30 PM
Thursday 1st October 2026
1:00 PM - 2:30 PM
Friday 2nd October 2026
1:00 PM - 2:30 PM
(London Time)
Certificate in Executive Voice Coaching and Communication
Louisa Morgan
This five-day course is designed for professional coaches who want to extend their practice into executive coaching, leadership communication, and professional corporate voice work.
Friday 2nd October 2026
12:30 PM - 2:30 PM
(London Time)
Muscle Tension Dysphonia in the Singing Voice!
Dr Claire Thomas
Join Dr Claire Thomas for a practical 2-hour workshop for singing teachers and voice practitioners! Building upon the previous course to create a practical teacher pathway in order to recognise what is happening, reduce unnecessary effort, transfer coordination into singing, manage load and recovery and know when to refer back. Not one size fits all, but a guide to making informed choices with voice users. Based on a five-year investigative project, the course equips singing teachers with the knowledge and practical tools needed to confidently understand MTD, and support singers experiencing MTD beyond their initial therapeutic input.
Tuesday 6th October 2026
5:00 PM - 7:00 PM
(London Time)
Inspired Not Bound: The Promise of Science-Informed Voice Pedagogy
Lynn Helding
Lynn Helding defines Science-Informed Voice Pedagogy in her upcoming book Practicing Science-Informed Voice Training as, “A type of hybrid singing voice pedagogy that unites science and art by researching current voice science, translating it, combining it with extant historic voice knowledge, and transmitting it to singers.” Join Lynn Helding as she seeks to understand human behaviour of both sides of the “Science versus Art” debate via research from the fields of cognitive science and behavioural science, focussing particularly on lessons learned due to several societal shifts.