Bitchin’ Pitchin’: Teaching the ‘tone-deaf’ singer
Thursday 29th August 2024, 5:00 PM - 7:00 PM (London Time)
This course will dig deep into why some singers struggle to match pitch and how voice teachers can help them develop this skill.
Many beginner singers identify as ‘tone-deaf’ but Amusia only affects around 3% of the population (significantly less than the percentage who struggle to sing in tune). For most poor-pitch singers there are underlying neurological reasons for their struggles. In this course, the neurological processes that must co-ordinate in order for someone to match pitch successfully will be reviewed. These include accurate pitch interpretation, pitch production, internal feedback evaluation and, crucially, pitch translation and the involvement of memory within this sensorimotor loop.
A variety of strategies that can be used to enhance a singer’s pitch accuracy will be shared and demonstrated so that course attendees will leave feeling better equipped to recognise the potential causes of a singer’s pitch inaccuracy and have a list of strategies they can draw from in order to guide singers to accuracy.
Heather Baker
Heather Baker is a Contemporary Voice Teacher based in the North of England and a Founding Director of the Institute for Vocal Advancement (IVA), delivering global training to voice teachers.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 17th February 2026
10:00 AM - 12:00 PM
(London Time)
Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review
Debbie Winter
Dr Claire Thomas
This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.
Thursday 19th February 2026
8:30 AM - 10:30 AM
(London Time)
It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety
Rebecca Herman
Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)
Performing Pain: Vocal Health in Emotional Roles!
Louisa Morgan
How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.