Body Mapping: Unlock your Artistry!
Friday 18th October 2024, 5:00 PM - 7:00 PM (London Time)
Our body is our instrument. Yet we rarely pay attention to it until it doesn’t work the way we want or expect. That’s why Body Mapping is so beneficial for singers and instrumentalists. It not only helps musicians avoid injury, but it enhances a musician’s technique.
The Body Mapping program was introduced and developed by two Alexander Technique instructors, Barbara and William Conable. They felt the musicians with whom they worked needed more information about their bodies to be able to avoid physical and repetitive-stress injuries.
Body Mapping is movement re-education for musicians, or retraining the brain. The integrity of any movement depends on the integrity of the body map that governs it. By providing musicians with anatomical information to develop body awareness when they play and sing, they can begin to recognize and release muscle tension allowing them to move beyond limitation and pain, and to fully express musical ideas through efficient, graceful, and coordinated movement.
Our body map is the physical self-representation in the brain of structure, function and size of our body parts or regions. Individual body maps are very specific, and we move according to those maps. The body moves the way the brains tells it, and the brain can only communicate what it knows from its maps. If the body map is accurate, the movement is appropriate for the physical task. If the body map is inaccurate or inadequate, movement is inefficient and potentially injury-producing. With the knowledge absorbed from Body Mapping, movement becomes more fluid, easier and more possible in every direction as the structure and biomechanics of the body are understood. This will allow the musical expression to be more free and directly connected to each artist’s individual voice.
During this workshop we will explore the 6 dynamic places of balance through diagrams, discussions, exercises, and stretches. We will learn how to carefully correct and adjust our own body maps by applying accurate physical information and by developing our kinesthetic experience.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Jan Prokop
Jan Prokop, D.M., is the Music Theater Voice Coordinator and Adjunct Professor of Voice at Montclair State University. A founding faculty member of the Actors Studio MFA Program at the New School she later taught at CAP21/Tisch @ NYU.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 28th September 2026
1:00 PM - 2:30 PM
Tuesday 29th September 2026
1:00 PM - 2:30 PM
Wednesday 30th September 2026
1:00 PM - 2:30 PM
Thursday 1st October 2026
1:00 PM - 2:30 PM
Friday 2nd October 2026
1:00 PM - 2:30 PM
(London Time)
Certificate in Executive Voice Coaching and Communication
Louisa Morgan
This five-day course is designed for professional coaches who want to extend their practice into executive coaching, leadership communication, and professional corporate voice work.
Friday 2nd October 2026
12:30 PM - 2:30 PM
(London Time)
Muscle Tension Dysphonia in the Singing Voice!
Dr Claire Thomas
Join Dr Claire Thomas for a practical 2-hour workshop for singing teachers and voice practitioners! Building upon the previous course to create a practical teacher pathway in order to recognise what is happening, reduce unnecessary effort, transfer coordination into singing, manage load and recovery and know when to refer back. Not one size fits all, but a guide to making informed choices with voice users. Based on a five-year investigative project, the course equips singing teachers with the knowledge and practical tools needed to confidently understand MTD, and support singers experiencing MTD beyond their initial therapeutic input.
Tuesday 6th October 2026
5:00 PM - 7:00 PM
(London Time)
Inspired Not Bound: The Promise of Science-Informed Voice Pedagogy
Lynn Helding
Lynn Helding defines Science-Informed Voice Pedagogy in her upcoming book Practicing Science-Informed Voice Training as, “A type of hybrid singing voice pedagogy that unites science and art by researching current voice science, translating it, combining it with extant historic voice knowledge, and transmitting it to singers.” Join Lynn Helding as she seeks to understand human behaviour of both sides of the “Science versus Art” debate via research from the fields of cognitive science and behavioural science, focussing particularly on lessons learned due to several societal shifts.