Brain, Movement, and Song
Thursday 4th March 2021, 5:00 PM - 7:00 PM (London Time)
This workshop will provide a gross overview of brain anatomy with a focus on how the brain controls movement, and the voice in particular.
Motivating case
- Meet the Chimpanzees: Viki and Washoe
- Why can Apes use sing language, but not speak or sing?
- Is there something special about the way that the human brain controls the voice?
Gross brain primer
- The four lobes
- Grey matter vs white matter
- Networks
Neuroscience of movement
- Primary motor cortex
- Somatotopy
- Descending motor pathways
- Movement from electrical stimulation
- Paresis from damage, e.g., stroke
- Cortico-striatal loop
- Functions
- Executing motor plans
- Learning new motor plans
- Anatomical components & their connections
- Supplementary Motor Area
- Basal Ganglia
- Thalamus
- Relevant disorders
- Parkinson’s disease
- Huntington’s disease
- Functions
- Cortico-Cerebellar Loop
- Functions
- Correcting movement errors
- Sensory feedback
- Anatomical components
- Cerebellum
- Thalamus
- Functions
- An example from Dance: fMRI Tango!
- Lead with your cortico-striatal loop
- Follow with your cortico-cerebellar loop
Neuroscience of song
- Specialisation for voice motor control
- Uniqueness to humans
- Electrical stimulation & Lesions
- Brain imaging studies
- Song
- Speech
- Emotions
Birdsong
- Avian song production system
- Analogy with human primary motor cortex
- Avian song learning system
- Analogy with human cortico-striatal loop
- Brain imaging evidence
- Vocal imitation fMRI
Summary
- Humans share a motor system with other mammals
- But with some voice specialisation
- Similar specialisation also appear in songbirds
Dr Michel Belyk
Dr Michel Belyk is a Senior Lecturer in Psychology at Edge Hill University. He studies the human voice, all the things that it says, and how it is able to say them.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 16th December 2025
2:00 PM - 4:00 PM
(London Time)
Inspired Sound: Unlocking the Science of Choral Acoustics
Professor Helena Daffern
In this session, Professor Helena Daffern will explore the fascinating science behind choral sound, offering choir singers and directors valuable insights into achieving a cohesive and expressive ensemble, no matter what their standard. The concept of choral blend will be examined —what it is, how it can be cultivated, and the roles of intonation and vibrato will be analysed. The decisions that have to be made around intonation when tuning thirds or dealing with modulations over the course of an a cappella piece will be explained in the context of existing research and different singing styles such as barbershop singing and solo voice ensembles.
Tuesday 16th December 2025
5:00 PM - 7:00 PM
(London Time)
Unclenching the Jaw: Options from the Physio Lens
Walt Fritz
“Jaw tension” is one of many potential problems facing the singer, and can cause a direct negative impact on the performance in both direct and indirect ways. The underlying cause of jaw issues is attributed to numerous factors (technique, posture, strength, range of motion, etc.), making it often difficult to identify common denominators. Join Walt Fritz as he examines the evidence supporting stretching, strengthening, and manual therapy interventions to address jaw-related concerns in vocal performers, taking into account their unique needs.
Thursday 18th December 2025
3:00 PM - 5:00 PM
(London Time)
Improving Lyric Italian Diction for Classical Singers
Professor Conroy Cupido
Join Professor Conroy Cupido as he offers an in-depth exploration of the most frequent pronunciation errors made by classical singers in Italian lyric diction. Designed for both emerging and advanced singers, the course provides a structured and practical approach to mastering Italian pronunciation as used in opera, oratorio, and art song.