Brain, Movement, and Song
Thursday 4th March 2021, 5:00 PM - 7:00 PM (London Time)
This workshop will provide a gross overview of brain anatomy with a focus on how the brain controls movement, and the voice in particular.
Motivating case
- Meet the Chimpanzees: Viki and Washoe
- Why can Apes use sing language, but not speak or sing?
- Is there something special about the way that the human brain controls the voice?
Gross brain primer
- The four lobes
- Grey matter vs white matter
- Networks
Neuroscience of movement
- Primary motor cortex
- Somatotopy
- Descending motor pathways
- Movement from electrical stimulation
- Paresis from damage, e.g., stroke
- Cortico-striatal loop
- Functions
- Executing motor plans
- Learning new motor plans
- Anatomical components & their connections
- Supplementary Motor Area
- Basal Ganglia
- Thalamus
- Relevant disorders
- Parkinson’s disease
- Huntington’s disease
- Functions
- Cortico-Cerebellar Loop
- Functions
- Correcting movement errors
- Sensory feedback
- Anatomical components
- Cerebellum
- Thalamus
- Functions
- An example from Dance: fMRI Tango!
- Lead with your cortico-striatal loop
- Follow with your cortico-cerebellar loop
Neuroscience of song
- Specialisation for voice motor control
- Uniqueness to humans
- Electrical stimulation & Lesions
- Brain imaging studies
- Song
- Speech
- Emotions
Birdsong
- Avian song production system
- Analogy with human primary motor cortex
- Avian song learning system
- Analogy with human cortico-striatal loop
- Brain imaging evidence
- Vocal imitation fMRI
Summary
- Humans share a motor system with other mammals
- But with some voice specialisation
- Similar specialisation also appear in songbirds
Dr Michel Belyk
Dr Michel Belyk is a Senior Lecturer in Psychology at Edge Hill University. He studies the human voice, all the things that it says, and how it is able to say them.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)
Sex differences in VOICE!
Dr Richard Lissemore
This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.