Congruent Ideologies of the Bel Canto Pedagogues
Friday 24th January 2025, 2:00 PM - 4:00 PM (London Time)
Garcia II wrote in his introduction to A Complete Treatise on the Art of Singing, “Voices in their natural states are nearly always unpolished, unequal, unsteady, even tremulous, and, finally, heavy and of short range; only study, but a well-informed and persistent study, can make firm the intonation, purify the timbres, perfect the intensity and the elasticity of the tone.” In the same era, G.B. Lamperti lamented, “It is a pity that young singers, who are studying voice, immediately sing songs and arias, literally before they know how to open their mouths, instead of earnestly studying the real support of the voice (the mechanism of breath) in order to develop the voice and to make it smooth and flexible.”
One could readily assume through these similar statements that Manuel Garcia II and G.B. Lamperti were most often in agreement regarding vocal pedagogy and instruction. A short study of the two influential pedagogues, however, quickly reveals major disparities between these two schools of Bel Canto pedagogy. In spite of their passionate disagreements, the pedagogues of this era share the fundamental techniques and methodologies necessary to master the repertoire of the Bel Canto era properly. This presentation and discussion highlights the qualities held in common between the major pedagogues of the era, including elements of alignment, inspiration, vowel purity, legato, and pedagogic progression from exercises to repertoire.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr John Seesholtz
Dr. John Seesholtz, baritone, is the cofounder of the Canciones project, a nonprofit organization dedicated to the advancement of Latin American music throughout all stages of academia and former Director of Vocal Pedagogy at the University of Colorado.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 5th August 2025
1:00 PM - 12:00 PM
Tuesday 12th August 2025
1:00 PM - 2:00 PM
Tuesday 19th August 2025
1:00 PM - 2:00 PM
Tuesday 26th August 2025
1:00 PM - 12:00 PM
Tuesday 2nd September 2025
1:00 PM - 1:00 PM
Tuesday 9th September 2025
1:00 PM - 2:00 PM
Tuesday 16th September 2025
1:00 PM - 2:00 PM
Tuesday 23rd September 2025
1:00 PM - 2:00 PM
(London Time)
Certificate in Acting Approaches for Singing Teachers
Louisa Morgan
Are you a singing teacher looking to elevate your students’ performances? Join our very own Louisa Morgan, as she takes a deeper dive into acting approaches that singing teachers can use to integrate powerful acting techniques into singing lessons. This 8 session course is perfect for those who want to help their singers connect deeply with the story behind the song. Gain practical tools and techniques that you can immediately apply in your teaching! Come along live for an interactive experience, or watch on playback at your leisure.
Tuesday 2nd September 2025
5:00 PM - 7:00 PM
(London Time)
Soul-Training: Riffs, Runs, & R&B Singing
Lisa Popeil
In this interactive workshop, participants will have an opportunity to explore an extremely popular vocal style known as soul singing or R&B (Rhythm & Blues). Lisa Popeil will share with singers, voice teachers, and anyone interested in this powerful vocal style some little-known techniques in producing this rich, emotional, and satisfying sound!
Thursday 4th September 2025
5:00 PM - 7:00 PM
(London Time)
Unpacking the Mind-Voice Connection in Occupational Voice Users!
Dr Cantor Cutiva
Join Dr. Cantor-Cutiva as she explores the Mind-Voice Connection, a holistic framework that considers how psychological traits, stress levels, and sleep quality interact with vocal health, particularly in occupational voice users. Through a multidisciplinary lens, we will examine how personality dimensions such as extraversion, neuroticism, and conscientiousness influence not only vocal behaviour but also the perception and reporting of vocal fatigue.