Short Courses & Events / Archive

Contemporary Commercial Voice Technique, Pedagogy, and Practices

Thursday 28th November 2024, 5:00 PM - 7:00 PM (London Time)

The short course is firmly rooted in the study of Contemporary Commercial Voice Technique, Pedagogy, and Practices. CCM singers face challenges in receiving appropriate training, academic opportunities, and professional support and are often discriminated against. Lyudmyla Heath used a Scoping Review method aimed to collate and synthesise current peer-reviewed research to provide an evidence-based foundation for further CCM voice pedagogy and performance development, driven by the main research question, “What is known from the peer-reviewed literature about the pedagogy and stylistic application of CCM voice technique?”

Key concepts:

  1. Voice function

Understand the anatomy, physiology, acoustics and biomechanics of the vocal system.

 

  1. Stylistic applications

Understand the fundamental concepts that underpin healthy CCM voice production in legit, mix and belt voice techniques, voice registers and resonance, and vocal onset.

 

  1. Pedagogical approaches

Explore various pedagogical approaches related to CCM voice pedagogy. Description, comparison and application of The Estill Voice Method, The Somatic Voicework Method, The Complete Vocal Technique, The Voiceworks Method, The Vocal Power Method, and The Seth Riggs Method.

 

  1. Vocal Health Empowerment

Review common vocal health challenges and explore opportunities for CCM voice training that can empower CCM singers to navigate all the challenges effectively.

 

  1. SOVTE Vocal Exercises

Engage in practical SOVTE vocal exercises tailored for mastering healthy voice technique within diverse CCM genres and styles.

 

  1. Holistic Appreciation

Foster a deeper appreciation for the diversity of CCM and understand the cultural and historical context of CCM voice technique and practices.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Lyudmyla Heath

With roots in Ukraine and wings that span continents, soprano and multi-instrumentalist Lyudmyla Heath possesses a rich musical background. Lyudmyla’s talent blossomed as she pursued an Honors degree in Choir Conducting at Stellenbosch University.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Introduction to gender-affirming voice coaching
Tuesday 21st January 2025
12:00 PM - 2:00 PM
(London Time)

Introduction to gender-affirming voice coaching

Gillie Stoneham

This introductory short course is aimed at those who work in voice coaching and/or therapy who wish to develop some basic knowledge and skills in working with trans and gender-diverse people to support voice and communication exploration.

From Broadway to the West End: Teaching Musical Theatre in a Modern Era
Tuesday 21st January 2025
5:00 PM - 7:00 PM
(London Time)

From Broadway to the West End: Teaching Musical Theatre in a Modern Era

Melanie Tapson

In this engaging two-hour workshop, Melanie Tapson—a professional performer, interdisciplinary voice specialist and clinical voice therapist— focuses on equipping voice educators with practical tools to help their students thrive at every stage of their career, all the way to Broadway, the West End, and beyond.

The Acting Through Song Toolkit: a 3-part course
Wednesday 22nd January 2025
11:00 AM - 12:30 PM
(London Time)

The Acting Through Song Toolkit: a 3-part course

Louisa Morgan

Do you work with students who struggle to connect their acting skills with their singing skills? Are your students currently auditioning for professional work, drama schools or entering competitions? Perhaps you are a singing teacher needing to work on performance, but you don’t have a background in acting.