Short Courses & Events / Archive

Demystifying Research: Evaluating the Efficacy of the Feldenkrais Method®

Thursday 17th October 2024, 2:00 PM - 4:00 PM (London Time)

The Feldenkrais Method® belongs to a class of somatic methods often used in the voice studio to facilitate more efficient use of the body. In this age of ‘evidence-based practice’, it is important for the studio teacher/pedagogue/performer to be able to evaluate research claims. A basic understanding of research methods and biases inherent in the research process is necessary to properly evaluate their conclusions, especially if the research findings influence studio practice.

This course will explore some of the central principles of the Feldenkrais Method in terms of the science of the mid-20th century when they were developed as well as their validation based on contemporary advances in our understanding of neuroscience. Through the lens of modern neuroscience, we will examine a few peer-reviewed efficacy studies in the light the constraints of validity, reliability and objectivity.

Research methods may vary depending on the nature of the research or research question. In broad terms, research is either Quantitative, data statistically derived from experiments or surveys, or Qualitative, based on interviews, documents, or other human interactions. Most of the research involving efficacy of learning methods are quantitative. These types of studies are very effective when dealing with cause and effect such as in chemical interactions. However, when they involve human behaviour, such as in a study involving throwing a baseball, or somatic method such as Yoga or the Feldenkrais Method®, there are often too many variables to conclude reliable recuring outcomes. Validity and reliability depend on exact replication of results. Objectivity depends on neutral metrics, usually numerical values.  Thus, many studies, as we shall see, claim that the methods studied are not as effective as claimed, because cause and effect is not easily measurable.

🏷️ Price £30 (UK VAT inclusive)
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📜 Certificate of attendance available

Marina Gilman

Marina Gilman holds a Bachelor of Science Degree from Indiana University, Master of Music degree from Ithaca College, and a Masters of Art in Communication Disorders...

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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10:00 AM - 12:00 PM
(London Time)

Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review

Debbie Winter
Dr Claire Thomas

This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.

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Thursday 19th February 2026
8:30 AM - 10:30 AM
(London Time)

It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety

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Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...

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1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)

Performing Pain: Vocal Health in Emotional Roles!

Louisa Morgan

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