Demystifying Research: Evaluating the Efficacy of the Feldenkrais Method®
Thursday 17th October 2024, 2:00 PM - 4:00 PM (London Time)
The Feldenkrais Method® belongs to a class of somatic methods often used in the voice studio to facilitate more efficient use of the body. In this age of ‘evidence-based practice’, it is important for the studio teacher/pedagogue/performer to be able to evaluate research claims. A basic understanding of research methods and biases inherent in the research process is necessary to properly evaluate their conclusions, especially if the research findings influence studio practice.
This course will explore some of the central principles of the Feldenkrais Method in terms of the science of the mid-20th century when they were developed as well as their validation based on contemporary advances in our understanding of neuroscience. Through the lens of modern neuroscience, we will examine a few peer-reviewed efficacy studies in the light the constraints of validity, reliability and objectivity.
Research methods may vary depending on the nature of the research or research question. In broad terms, research is either Quantitative, data statistically derived from experiments or surveys, or Qualitative, based on interviews, documents, or other human interactions. Most of the research involving efficacy of learning methods are quantitative. These types of studies are very effective when dealing with cause and effect such as in chemical interactions. However, when they involve human behaviour, such as in a study involving throwing a baseball, or somatic method such as Yoga or the Feldenkrais Method®, there are often too many variables to conclude reliable recuring outcomes. Validity and reliability depend on exact replication of results. Objectivity depends on neutral metrics, usually numerical values. Thus, many studies, as we shall see, claim that the methods studied are not as effective as claimed, because cause and effect is not easily measurable.
Marina Gilman
Marina Gilman holds a Bachelor of Science Degree from Indiana University, Master of Music degree from Ithaca College, and a Masters of Art in Communication Disorders...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
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We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 22nd April 2025
3:00 PM - 5:00 PM
Wednesday 23rd April 2025
3:00 PM - 5:00 PM
Thursday 24th April 2025
3:00 PM - 5:00 PM
Friday 25th April 2025
3:00 PM - 5:00 PM
Monday 28th April 2025
3:00 PM - 5:00 PM
Tuesday 29th April 2025
3:00 PM - 5:00 PM
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This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.
Thursday 24th April 2025
2:00 PM - 4:00 PM
Friday 25th April 2025
2:00 PM - 4:00 PM
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Dr Patricia Izbicki
Unlock the transformative power of music with our two-part lecture series that delves deep into the fascinating intersection of neuroscience, music education, and music therapy. This course aims to achieve three distinct objectives: to demonstrate the multifaceted benefits of music training and therapy, to equip you with a neuroscience-informed perspective for teaching, practice, and research, and to provide a comprehensive understanding of the science of singing across all stages of life. Join Dr Patricia Izbicki on this captivating journey and unlock the secrets of music's impact on the brain and human development!
Monday 28th April 2025
12:00 PM - 2:00 PM
Tuesday 29th April 2025
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Wednesday 30th April 2025
12:00 PM - 2:00 PM
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Join Dr George Musgrave – co-author of Can Music Make You Sick? Measuring the Price of Musical Ambition (2020) – for a deep dive into the social and psychological experiences of musical career creation and development, as well as the effects of the music industry and its practices on mental health. Dr Musgrave will present an overview of current research on career musicianship and mental health before exploring an array of specific themes, including success (and the management thereof); career sustainability; and cultural, social and symbolic capital. A comprehensive look at the ethics and morality of the industry provides the finale to this course!