Short Courses & Events / Archive

Demystifying Research: Evaluating the Efficacy of the Feldenkrais Method®

Thursday 17th October 2024, 2:00 PM - 4:00 PM (London Time)

The Feldenkrais Method® belongs to a class of somatic methods often used in the voice studio to facilitate more efficient use of the body. In this age of ‘evidence-based practice’, it is important for the studio teacher/pedagogue/performer to be able to evaluate research claims. A basic understanding of research methods and biases inherent in the research process is necessary to properly evaluate their conclusions, especially if the research findings influence studio practice.

This course will explore some of the central principles of the Feldenkrais Method in terms of the science of the mid-20th century when they were developed as well as their validation based on contemporary advances in our understanding of neuroscience. Through the lens of modern neuroscience, we will examine a few peer-reviewed efficacy studies in the light the constraints of validity, reliability and objectivity.

Research methods may vary depending on the nature of the research or research question. In broad terms, research is either Quantitative, data statistically derived from experiments or surveys, or Qualitative, based on interviews, documents, or other human interactions. Most of the research involving efficacy of learning methods are quantitative. These types of studies are very effective when dealing with cause and effect such as in chemical interactions. However, when they involve human behaviour, such as in a study involving throwing a baseball, or somatic method such as Yoga or the Feldenkrais Method®, there are often too many variables to conclude reliable recuring outcomes. Validity and reliability depend on exact replication of results. Objectivity depends on neutral metrics, usually numerical values.  Thus, many studies, as we shall see, claim that the methods studied are not as effective as claimed, because cause and effect is not easily measurable.

🏷️ Price £30 (UK VAT inclusive)
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📜 Certificate of attendance available

Marina Gilman

Marina Gilman holds a Bachelor of Science Degree from Indiana University, Master of Music degree from Ithaca College, and a Masters of Art in Communication Disorders...

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

The Race of Sound – Why Do We Think We Can Hear Race Vocally?
Thursday 24th October 2024
5:00 PM - 7:00 PM
(London Time)

The Race of Sound – Why Do We Think We Can Hear Race Vocally?

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Why and how do we make assumptions about a person’s race, gender, or age based on the timbre of their voice? We will examine historical precedents for racialized listening to voices as well as contemporary realities, utilizing a framework for critically interrogating the racializing processes embedded in vocal and listening practices.

‘Disarming’ Performance Anxiety: Re-engaging the joy of performing by becoming more resilient in our innate vulnerability
Tuesday 29th October 2024
10:00 AM - 12:00 PM
(London Time)

‘Disarming’ Performance Anxiety: Re-engaging the joy of performing by becoming more resilient in our innate vulnerability

Dr Mark Seton

In this workshop, Dr Mark Seton will offer practical, playful and holistic strategies to ‘dis-arm’ three factors of being human that can impact our capacity to perform: doubt, shame and trauma.

Dosimetry Measurement of Vocal Demands in Contemporary Musical Theatre
Thursday 31st October 2024
5:00 PM - 7:00 PM
(London Time)

Dosimetry Measurement of Vocal Demands in Contemporary Musical Theatre

Celia Stewart

Singers are highly skilled vocal athletes who master specialized vocal requirements when cast to perform in a musical theatre production. Their participation is physically, vocally, and emotionally challenging.