Short Courses & Events / Archive

Designing Exercises for the Classical and Contemporary Singer

Thursday 16th September 2021, 5:00 PM - 7:00 PM (London Time)

We are excited to present this highly informative, interactive workshop with John Nix on Designing Exercises for the Classical and Contemporary Singer. John will examine the following:

How do vocal exercises work? What are the variables?

  • Direction
  • Pattern
  • Length
  • Vowels
  • Consonants
  • SOVTs
  • Registers
  • Temp/note values
  • Repetition
  • Dynamic level

Other factors to consider when designing your own vocal exercises

  • Muscle activtation
  • Tissue fatigue
  • Motor learning aspects
  • Psychological factors
  • Musical factors

Looking at key examples involving

  • Plosive and close vowels – descending scales for light production
  • Exercises ideal for cross-training
  • Exercises for male classical versus male belt
  • Contrasting Classical and CCM exercises
  • Vocal agility
  • Messa di voce

Case scenario – exercise design

Professor John Nix

John Nix is Professor of Voice and Voice Pedagogy and chair of the voice area at the University of Texas at San Antonio.  His mentors include Barbara Doscher...

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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5:00 PM - 6:00 PM
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5:00 PM - 7:00 PM
(London Time)

Training the Vocal Athlete: Strategies for Efficient Belting in the 21st Century Market!

Dr Wendy LeBorgne

In the fast-paced world of contemporary commercial music (CCM) and musical theatre, belting is no longer a niche vocal effect; it is an athletic requirement. This evidence-informed, interactive workshop bridges the gap between vocal science and studio application. Led by voice pathologist and author Dr. Wendy LeBorgne, participants will dissect the physiological, acoustic, and aerodynamic demands of healthy belting. From establishing baseline vocal fitness to navigating the subtle stylistic differences between Broadway and West End aesthetics, this session will provid an actionable blueprint to build powerful, injury-resistant voices.