Exploring the Role of Identity in Creating a Life with Music
Tuesday 21st November 2023, 5:00 PM - 7:00 PM (London Time)
This session will explore the ways in which our identification with music influences the modes and impact of musical participation throughout the lifespan. The paper will draw on data from a series of studies with amateur and aspiring/established professional musicians in order to examine the extent to which musical identity interacts with psychological and environmental factors to influence the roles that people choose for music to play throughout their lives.
We will think about the implications of such insights for music education: how can conversations about musical calling and connection to music support students to make decisions about the role of music in their future working lives; how can such discussions help students to lead healthy lives with music, particularly given the precarious and rapidly changing nature of work in music (which has been heightened by socio-political responses to recent world events); and how can knowing about our music identities help us to navigate planned/unplanned transitions successfully and healthily?
This session will combine discussion of emerging research literature in this area, and provide a space for us to think together about what this means for us as musicians, educators, students (and the myriad other identities we all hold!).
Professor Karen Burland
Karen Burland is Professor of Applied Music Psychology at the University of Leeds and is currently the faculty and university academic lead for work relating to employability and student futures.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.
Tuesday 17th March 2026
5:00 PM - 7:00 PM
(London Time)
The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers
Dr. Alyssa Becker
Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!