Short Courses & Events / Archive

Exploring the Role of Identity in Creating a Life with Music

Tuesday 21st November 2023, 5:00 PM - 7:00 PM (London Time)

This session will explore the ways in which our identification with music influences the modes and impact of musical participation throughout the lifespan. The paper will draw on data from a series of studies with amateur and aspiring/established professional musicians in order to examine the extent to which musical identity interacts with psychological and environmental factors to influence the roles that people choose for music to play throughout their lives.

We will think about the implications of such insights for music education: how can conversations about musical calling and connection to music support students to make decisions about the role of music in their future working lives; how can such discussions help students to lead healthy lives with music, particularly given the precarious and rapidly changing nature of work in music (which has been heightened by socio-political responses to recent world events); and how can knowing about our music identities help us to navigate planned/unplanned transitions successfully and healthily?

This session will combine discussion of emerging research literature in this area, and provide a space for us to think together about what this means for us as musicians, educators, students (and the myriad other identities we all hold!).

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Professor Karen Burland

Karen Burland is Professor of Applied Music Psychology at the University of Leeds and is currently the faculty and university academic lead for work relating to employability and student futures.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Tuesday 22nd September 2026
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(London Time)

Musical Theatre Vocal Pedagogy Certificate

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Join Kevin Wilson for this six-part certificated course, offering an in‑depth, practical exploration of contemporary voice teaching for musical theatre. Across six focused classes, participants develop a systematic approach to vocal technique, diagnosis, and repertoire selection that reflects the stylistic, physical, and emotional demands of the genre. The curriculum integrates vocal science, embodied voice work, registration theory, and stylistic awareness across the five major sub‑genres of musical theatre.

Common Medical Diagnoses and Treatments in Voice Patients
Thursday 3rd September 2026
5:00 PM - 7:00 PM
(London Time)

Common Medical Diagnoses and Treatments in Voice Patients

Dr Robert Sataloff

Join world-renowned ENT surgeon, author, and professional singer Professor Robert Sataloff for this short course on common medical diagnoses and treatments in voice patients. Whether you are treating voice disorders or navigating the world of academic research, this course provides an excellent opportunity to learn from a true expert in the field. This course is suitable for voice teachers, singers, speech-language pathologists, ENT specialists, and anyone passionate about advanced voice care and credible research.

Dalcroze Eurhythmics in the Voice Studio
Thursday 10th September 2026
5:00 PM - 7:00 PM
(London Time)

Dalcroze Eurhythmics in the Voice Studio

Dr Tish Oney

The Dalcroze Method taught by Swiss music teacher Émile Jaques-Dalcroze (1865-1950) has long been valued as a tool for teaching music in group settings (ensembles, choirs, music classes, etc.) But what about its one-on-one use in the applied voice studio? Join Dr. Tish Oney for this interactive short course and learn about the history and principles of this important method of music education. Through the employ of Dalcroze movements and concepts, singers and teachers explore music in ways that can reduce tension and increase the fun of music making, while encouraging discovery of technical and theoretical skill-building practices.