From Humming to Mouth Drumming: A Vocalist’s Perspective on Beatboxing
Thursday 8th February 2024, 5:00 PM - 7:00 PM (London Time)
As a trained singer and experienced vocal instructor, David is uniquely positioned in the beatboxing world to provide a vocalist’s perspective on various facets of beatboxing.
The majority of this short course will be based in interactivity and practical exercises. Participants will be introduced to a variety of basic beatboxing sounds, and will be invited to experiment with making the sounds on their own.
There will be discussion about which sounds incorporate the voice (voiced sounds) versus sounds that employ other parts of the vocal tract (non-voiced sounds). Some of the sounds covered will include, though not be limited to: snare drum, hi-hat, and bass drum. Once the basic sounds have been covered, course participants will experiment with putting the sounds into a full drum beat.
In addition to learning the basics of beatboxing, there will be a discussion on the topics of vocal stamina and health as they relate to beatboxing, technical exercises, and what value these exercises and extended techniques could provide to a standard vocal practice. There will be ample time for questions, demonstration, and practice.
David Lane
Formerly of the Juno-nominated vocal quartet ‘Cadence’, David Lane is a jazz keyboardist and singer who has been beatboxing for almost two decades and has always enjoyed making strange sounds and exploring the limits of the human voice.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)
Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss
This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
Dr David Cane
Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)
Embodied voice research: negotiating the ‘inner’ and outer’
Marth Munro
The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.