From Humming to Mouth Drumming: A Vocalist’s Perspective on Beatboxing
Thursday 8th February 2024, 5:00 PM - 7:00 PM (London Time)
As a trained singer and experienced vocal instructor, David is uniquely positioned in the beatboxing world to provide a vocalist’s perspective on various facets of beatboxing.
The majority of this short course will be based in interactivity and practical exercises. Participants will be introduced to a variety of basic beatboxing sounds, and will be invited to experiment with making the sounds on their own.
There will be discussion about which sounds incorporate the voice (voiced sounds) versus sounds that employ other parts of the vocal tract (non-voiced sounds). Some of the sounds covered will include, though not be limited to: snare drum, hi-hat, and bass drum. Once the basic sounds have been covered, course participants will experiment with putting the sounds into a full drum beat.
In addition to learning the basics of beatboxing, there will be a discussion on the topics of vocal stamina and health as they relate to beatboxing, technical exercises, and what value these exercises and extended techniques could provide to a standard vocal practice. There will be ample time for questions, demonstration, and practice.
David Lane
Formerly of the Juno-nominated vocal quartet ‘Cadence’, David Lane is a jazz keyboardist and singer who has been beatboxing for almost two decades and has always enjoyed making strange sounds and exploring the limits of the human voice.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.