From Humming to Mouth Drumming: A Vocalist’s Perspective on Beatboxing
Thursday 8th February 2024, 5:00 PM - 7:00 PM (London Time)
As a trained singer and experienced vocal instructor, David is uniquely positioned in the beatboxing world to provide a vocalist’s perspective on various facets of beatboxing.
The majority of this short course will be based in interactivity and practical exercises. Participants will be introduced to a variety of basic beatboxing sounds, and will be invited to experiment with making the sounds on their own.
There will be discussion about which sounds incorporate the voice (voiced sounds) versus sounds that employ other parts of the vocal tract (non-voiced sounds). Some of the sounds covered will include, though not be limited to: snare drum, hi-hat, and bass drum. Once the basic sounds have been covered, course participants will experiment with putting the sounds into a full drum beat.
In addition to learning the basics of beatboxing, there will be a discussion on the topics of vocal stamina and health as they relate to beatboxing, technical exercises, and what value these exercises and extended techniques could provide to a standard vocal practice. There will be ample time for questions, demonstration, and practice.
David Lane
Formerly of the Juno-nominated vocal quartet ‘Cadence’, David Lane is a jazz keyboardist and singer who has been beatboxing for almost two decades and has always enjoyed making strange sounds and exploring the limits of the human voice.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
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Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Tuesday 19th May 2026
5:00 PM - 7:00 PM
(London Time)
Staging A Coup: History meets science for the coup de la glotte!
Kourtney Austin
Historical vocal pedagogy, voice science, voice health, and performance practice come together in this presentation from Kourtney Austin! The session addresses the historical context for teaching the onset as a fundamental skill, along with a review of a recent publication examining the acoustic effects of different types of onset, and practical studio implementation of onset training. The aforementioned publication is the first known research to objectively measure the acoustic implications of the coup de la glotte, and delineate it from the hard glottal attack.
Thursday 21st May 2026
5:00 PM - 7:00 PM
(London Time)
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Louisa Morgan
This 2-hour interactive session is designed to help you make more deliberate, expressive choices in your speaking of the written word. It will involve plenty of practical exploration and will cover tips and techniques for working with the voice to lift the text off the page. Work with me to refine nuance, precision, and expressive range. We’ll explore a variety of text samples to cover a wide range of real-world situations, so you can get a feel for the different styles and approaches. If you want your spoken text to sound purposeful, engaging, and unmistakably yours, this session will invite you to play with some tools to do just that.