Getting The House In Order: Training Functional Register For CCM
Thursday 10th November 2022, 5:00 PM - 7:00 PM (London Time)
In a functional approach to voice, transitioning seamlessly between the bottom and the top often requires isolation work to be done on the basic registers (a.k.a chest and falsetto).
When teachers can assess how functional the basic registers are, they can create plans to strengthen their coordination before they try to connect them.
In this workshop, Chris will share how he assesses and trains the basic registers to benefit the voice as a whole.
The added benefit is that the passaggio is also much easier to fathom when all registers are functional and contributing!
Chris Johnson
Chris Johnson's performance career began in a casual choir, but then the joy (and, sometimes the fear) of stepping out in-front of hundreds of people...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 19th October 2026
2:00 PM - 4:00 PM
Tuesday 20th October 2026
2:00 PM - 4:00 PM
(London Time)
Introduction to Vocal Acoustics for Spoken and Sung Voice
Gökçe Kutsal
This course is designed to break down the fundamentals of acoustics for both spoken and sung voice in a beginner-friendly, accessible way — so you can easily understand and apply these concepts to your teaching or research.
Tuesday 20th October 2026
5:00 PM - 7:00 PM
(London Time)
Practical Magic*: The Art & Science of Balancing Voices with SOVTs and VFEs
Melanie Tapson
Through live demonstrations, group practice, and peer coaching, you’ll learn how to teach SOVTs and VFEs with clarity and precision, integrate their principles to support vocal health, recovery, and stylistic flexibility and troubleshoot challenges and adapt exercises for individualized results.
Tuesday 27th October 2026
5:00 PM - 7:00 PM
(London Time)
Pop Pedagogy - an Overview
Kim Chandler
Some successful pop stars are celebrating career lengths of over sixty years, having been around since the 1950s when pop music emerged and diversified from jazz, so pop singing has been in existence sufficiently long now that, for teaching purposes, we can observe and analyse what type of approach serves it best.