How Teachers Can Utilize Motor Learning Feedback to Accelerate Learning
Thursday 12th December 2024, 5:00 PM - 7:00 PM (London Time)
Communication is possibly the most important single aspect of training a singer. Feedback is an essential and quantifiable aspect of instructor-student communication. The research in the emerging field of evidence-based voice pedagogy has been directed primarily to the technical aspects of voice training, i.e. respiratory management, registration, and resonance. However vital these elements of teaching are, the method in which these are taught is as essential to the process of the student’s ability to learn and retain skills. Singing is a motor skill which involves the coordination of respiratory, laryngeal, pharyngeal, and articulatory muscles. Motor learning is a process that leads to a relatively permanent change in coordinated and skilled muscle movement. This change is an increased proficiency for skilful movement. Feedback is essential to improve the efficiency of skilled acquisition of motor skills. The timing, frequency, and content of feedback can allow a student to acquire skills more proficiently.
In this course, we look at how the mind and body acquire the skills to become proficient in singing and how teachers, through their communication, can best facilitate the rate and retention of motor skill acquisition.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Colin Johnson
Dr. Colin B. Johnson, bass-baritone, is a dynamic educator, performer, and researcher. Dr. Johnson enthusiastically teaches private voice lessons in a variety of genres including both classical and contemporary commercial music.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)
Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss
This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
Dr David Cane
Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)
Embodied voice research: negotiating the ‘inner’ and outer’
Marth Munro
The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.