Short Courses & Events / Archive

Hyperadduction: A Preventative and Therapeutic Approach to Voice Teaching

Tuesday 9th January 2024, 1:00 PM - 2:00 PM (London Time)

Hyperfunctional vocal behaviours are considered to be a primary cause of the most common voice disorders: throat discomfort, vocal fatigue, nodules, polyps, oedema, inflammation and haemorrhage of the vocal folds.” – Freeman and Fawcus

Speech pathology has long been the therapeutic route for treating hyperadductive speakers. Other practices like physical therapy, The Feldenkrais Method®, Alexander Technique and yoga practices have also assisted practitioners in the alleviation of hyperfunction in the body.

This workshop is designed to provide voice teachers and professionals with strategies to counter hyperfunctional vocal behaviours (such as constriction and overexertion of the muscles around the larynx) and thus enable ease of vocal fold functioning. Self-awareness, muscle-release lengthening and awareness stretches, laryngeal massage, neck-release and alignment, athletic-aspirated onset, silent inhalation, and SOVT exercises/practices are the chief tools for addressing this ongoing vocal trend.

As vocal pedagogy evolves, we must challenge ourselves to constantly grow and adjust to the modern expectations of the different genres we hope to be qualified to teach. Utilizing an approach that puts health and longevity before aesthetic is a good way to begin the journey of embracing diversity within our scope of instruction.

🏷️ Price £20 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Dr John Seesholtz

Dr. John Seesholtz, baritone, is the cofounder of the Canciones project, a nonprofit organization dedicated to the advancement of Latin American music throughout all stages of academia and former Director of Vocal Pedagogy at the University of Colorado.

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Mitigating Music Performance Anxiety (MPA) Within the Teaching Studio: Theories & Practical Strategies
Wednesday 15th April 2026
5:00 PM - 7:00 PM
Thursday 16th April 2026
5:00 PM - 7:00 PM
(London Time)

Mitigating Music Performance Anxiety (MPA) Within the Teaching Studio: Theories & Practical Strategies

Dr David Juncos

In recent years, an alternative model for treating MPA has shown great promise among practitioners - training music teachers to use interventions from evidence-based coaching models aimed to treat MPA, rather than continually referring students with MPA to receive psychotherapy like CBT.

Nutrition and Exercise for Singers – The Missing Link in Vocal Health and Longevity
Thursday 16th April 2026
5:00 PM - 7:00 PM
(London Time)

Nutrition and Exercise for Singers – The Missing Link in Vocal Health and Longevity

Duncan Rock

Discover the essential role that nutrition and exercise play in enhancing vocal health and ensuring a long-lasting singing career in our upcoming seminar, "Nutrition and Exercise for Singers – The Missing Link in Vocal Health and Longevity."

Certificate in Acting Approaches for Singing Teachers
Monday 20th April 2026
12:00 PM - 1:30 PM
Tuesday 21st April 2026
12:00 PM - 1:30 PM
Wednesday 22nd April 2026
12:00 PM - 1:30 PM
Thursday 23rd April 2026
12:00 PM - 1:30 PM
(London Time)

Certificate in Acting Approaches for Singing Teachers

Louisa Morgan

Are you a singing teacher looking to elevate your students’ performance? This 4-part course is perfect for those who want to help their singers connect deeply with the character and the story behind the song. Many singing teachers have lots of brilliant ideas about coaching vocal performance but often don’t have a background in acting. Learning more about acting techniques can build structure into your performance-focused lessons and add depth to the song. Gain practical tools and techniques that you can apply to your teaching.