Short Courses & Events / Archive

Hyperadduction: A Preventative and Therapeutic Approach to Voice Teaching

Tuesday 9th January 2024, 1:00 PM - 2:00 PM (London Time)

Hyperfunctional vocal behaviours are considered to be a primary cause of the most common voice disorders: throat discomfort, vocal fatigue, nodules, polyps, oedema, inflammation and haemorrhage of the vocal folds.” – Freeman and Fawcus

Speech pathology has long been the therapeutic route for treating hyperadductive speakers. Other practices like physical therapy, The Feldenkrais Method®, Alexander Technique and yoga practices have also assisted practitioners in the alleviation of hyperfunction in the body.

This workshop is designed to provide voice teachers and professionals with strategies to counter hyperfunctional vocal behaviours (such as constriction and overexertion of the muscles around the larynx) and thus enable ease of vocal fold functioning. Self-awareness, muscle-release lengthening and awareness stretches, laryngeal massage, neck-release and alignment, athletic-aspirated onset, silent inhalation, and SOVT exercises/practices are the chief tools for addressing this ongoing vocal trend.

As vocal pedagogy evolves, we must challenge ourselves to constantly grow and adjust to the modern expectations of the different genres we hope to be qualified to teach. Utilizing an approach that puts health and longevity before aesthetic is a good way to begin the journey of embracing diversity within our scope of instruction.

🏷️ Price £20 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Dr John Seesholtz

Dr. John Seesholtz, baritone, is the cofounder of the Canciones project, a nonprofit organization dedicated to the advancement of Latin American music throughout all stages of academia and former Director of Vocal Pedagogy at the University of Colorado.

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

(R)evolutionary Voice Training: harnessing human instinct to accelerate vocal transformation!
Thursday 4th December 2025
5:00 PM - 7:00 PM
(London Time)

(R)evolutionary Voice Training: harnessing human instinct to accelerate vocal transformation!

Maddie Tarbox

Human beings and our vertebrate ancestors have been communicating via vocalization for millions of years – those sounds did not start as complex language, but as animal mimicry, acoustic cuing, and emotional primal sounds. Join Maddie Tarbox for this two hour session as she unpicks the repertoire of instinctive shortcuts that can lower cognitive load and accelerate vocal change!

Low Male Voices (LMVs): Development, Technique, and Repertoire
Tuesday 9th December 2025
5:00 PM - 7:00 PM
(London Time)

Low Male Voices (LMVs): Development, Technique, and Repertoire

Dr Dann Mitton

Join Dr Dann Mitton for this two hour workshop where he explores the Development, Techniques, and Repertoire favoured for Low Male Voices (LMVs). Typically labelled as 'Bass' and 'Baritone', these classifications are used in classical music, choral settings, and vocal pedagogy to help determine suitable repertoire and vocal roles. In contemporary music, the distinctions are less rigid but still useful for understanding vocal range and timbre.

Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!
Thursday 11th December 2025
8:00 AM - 10:00 AM
(London Time)

Picking Up Good Vibrations: Pedagogical and Clinical Voice Analysis!

Dr Calvin Baker

Voice teachers and clinicians strongly rely on auditory perceptual modes of voice evaluation. These are considered the gold standard for assessing voice quality and training effects (e.g., a singer’s progress from lesson to lesson or across voice therapy). Join Dr Calvin Baker as he explores techniques for instrumentally analysing the singing voice. Specific considerations for the challenges of obtaining reliable, robust, and comparable data will be presented, and practical recommendations for recording and analysing the singing voice in pedagogical and clinical contexts will be made.