Hyperadduction: A Preventative and Therapeutic Approach to Voice Teaching
Tuesday 9th January 2024, 1:00 PM - 2:00 PM (London Time)
“Hyperfunctional vocal behaviours are considered to be a primary cause of the most common voice disorders: throat discomfort, vocal fatigue, nodules, polyps, oedema, inflammation and haemorrhage of the vocal folds.” – Freeman and Fawcus
Speech pathology has long been the therapeutic route for treating hyperadductive speakers. Other practices like physical therapy, The Feldenkrais Method®, Alexander Technique and yoga practices have also assisted practitioners in the alleviation of hyperfunction in the body.
This workshop is designed to provide voice teachers and professionals with strategies to counter hyperfunctional vocal behaviours (such as constriction and overexertion of the muscles around the larynx) and thus enable ease of vocal fold functioning. Self-awareness, muscle-release lengthening and awareness stretches, laryngeal massage, neck-release and alignment, athletic-aspirated onset, silent inhalation, and SOVT exercises/practices are the chief tools for addressing this ongoing vocal trend.
As vocal pedagogy evolves, we must challenge ourselves to constantly grow and adjust to the modern expectations of the different genres we hope to be qualified to teach. Utilizing an approach that puts health and longevity before aesthetic is a good way to begin the journey of embracing diversity within our scope of instruction.
Dr John Seesholtz
Dr. John Seesholtz, baritone, is the cofounder of the Canciones project, a nonprofit organization dedicated to the advancement of Latin American music throughout all stages of academia and former Director of Vocal Pedagogy at the University of Colorado.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 17th February 2026
10:00 AM - 12:00 PM
(London Time)
Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review
Debbie Winter
Dr Claire Thomas
This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.
Thursday 19th February 2026
8:30 AM - 10:30 AM
(London Time)
It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety
Rebecca Herman
Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)
Performing Pain: Vocal Health in Emotional Roles!
Louisa Morgan
How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.