If You Can Talk, You Can Sing
Tuesday 28th May 2024, 5:00 PM - 7:00 PM (London Time)
Frankie believes passionately that singing is our birthright. For thousands of years, our ancestors sang as naturally as they spoke. They sang to accompany everyday activities – at work, at play, at devotion and dance – and for their own pleasure. No one was excluded, so everyone’s skill and confidence developed naturally.
Some cultures do not even have a word for ‘singer’ as everyone sings, just as we do not have a word for ‘breather’! It’s only in the past couple of centuries that the notion that there are people who can’t or shouldn’t sing has come about, largely in white Western European culture. This elitist idea has impacted on millions of people, who have been told they are non-singers, have unacceptable voices or are ‘tone-deaf’. They have therefore never had the chance to experience the stepping stones that have traditionally encouraged people to sing - in the same way as they learned to talk. Hence they have been robbed of one of the essential forms of human expression.
To quote the Institute of Education, we now know 'music is hard-wired into us', and that it is criticism and judgment as a child that has robbed many people of their innate musicality. As voice practitioners and singing teachers, how can we help to unlock this innate capacity for those people?
Since 1975, Frankie has developed a teaching approach that provides stepping stones, with permission and encouragement, for people to explore confidence in their voices and self-belief in their musicality. She has used this in contexts including community groups, hospitals, theatre companies and schools, as well as at the National Theatre Studio, London, for over 20 years, and she has presented at international voice conferences in Europe, North America and Australia.
She uses the body and imagination to invite people to be curious and adventurous in exploring their voices in a non-judgemental atmosphere, without the need to "get it right”. The aim is to tap into the joy, strength and energy of singing with others, and to find a range of colour and expression in each of our voices.
Frankie Armstrong
Frankie Armstrong has has been singing professionally since 1964. In 1975, she began her pioneering voice workshops based on ethnic styles of singing, where singing is as natural as speaking.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.
Monday 3rd August 2026
5:00 PM - 7:00 PM
(London Time)
Meisner in Music: Merging Beautiful Singing with Emotional Acting
Jillian Paige
In our workshop with the Voice Study Centre, participants will learn the foundational tool of the Meisner Technique, 'repetition', and gain insight into additional aspects of the technique that are particularly useful for singers such as emotional preparation and 'the physical impediment'.
Thursday 6th August 2026
5:00 PM - 7:00 PM
(London Time)
Sex Hormones and Voice: From Puberty to Gender-Affirming Therapy
Dr Silvia Ciancia
How do sex hormones define the human voice? Join Dr Silvia Cianca as she offers a comprehensive exploration of the vocal apparatus as a hormone-sensitive organ, analysing the physiological changes occurring at puberty as well as the changes induced by gender-affirming hormones initiated during adolescence. This session is specifically about the fascinating research on the influence of sex hormones on the voice, and the physical outcomes of gender-affirming care delivered to adolescents; it does not focus on vocal training itself.