If You Can Talk, You Can Sing
Tuesday 28th May 2024, 5:00 PM - 7:00 PM (London Time)
Frankie believes passionately that singing is our birthright. For thousands of years, our ancestors sang as naturally as they spoke. They sang to accompany everyday activities – at work, at play, at devotion and dance – and for their own pleasure. No one was excluded, so everyone’s skill and confidence developed naturally.
Some cultures do not even have a word for ‘singer’ as everyone sings, just as we do not have a word for ‘breather’! It’s only in the past couple of centuries that the notion that there are people who can’t or shouldn’t sing has come about, largely in white Western European culture. This elitist idea has impacted on millions of people, who have been told they are non-singers, have unacceptable voices or are ‘tone-deaf’. They have therefore never had the chance to experience the stepping stones that have traditionally encouraged people to sing - in the same way as they learned to talk. Hence they have been robbed of one of the essential forms of human expression.
To quote the Institute of Education, we now know 'music is hard-wired into us', and that it is criticism and judgment as a child that has robbed many people of their innate musicality. As voice practitioners and singing teachers, how can we help to unlock this innate capacity for those people?
Since 1975, Frankie has developed a teaching approach that provides stepping stones, with permission and encouragement, for people to explore confidence in their voices and self-belief in their musicality. She has used this in contexts including community groups, hospitals, theatre companies and schools, as well as at the National Theatre Studio, London, for over 20 years, and she has presented at international voice conferences in Europe, North America and Australia.
She uses the body and imagination to invite people to be curious and adventurous in exploring their voices in a non-judgemental atmosphere, without the need to "get it right”. The aim is to tap into the joy, strength and energy of singing with others, and to find a range of colour and expression in each of our voices.
Frankie Armstrong
Frankie Armstrong has has been singing professionally since 1964. In 1975, she began her pioneering voice workshops based on ethnic styles of singing, where singing is as natural as speaking.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 2nd December 2025
2:00 PM - 4:00 PM
(London Time)
Vocal Health, Well-being and Hindustani Classical Music
Dr Sunny Sandhu
Join Dr Sunny Sandhu for a 2-hour course that introduces participants to the ancient practice of kharaj exercises in the Dhrupad tradition, focusing on the deep and resonant lower octave of the voice. Through guided breathing, slow tonal exploration, and sustained notes, students will learn techniques that strengthen the vocal cords, expand range, and develop clarity and stability in sound production!
Thursday 4th December 2025
5:00 PM - 7:00 PM
(London Time)
(R)evolutionary Voice Training: harnessing human instinct to accelerate vocal transformation!
Maddie Tarbox
Human beings and our vertebrate ancestors have been communicating via vocalization for millions of years – those sounds did not start as complex language, but as animal mimicry, acoustic cuing, and emotional primal sounds. Join Maddie Tarbox for this two hour session as she unpicks the repertoire of instinctive shortcuts that can lower cognitive load and accelerate vocal change!
Tuesday 9th December 2025
5:00 PM - 7:00 PM
(London Time)
Low Male Voices (LMVs): Development, Technique, and Repertoire
Dr Dann Mitton
Join Dr Dann Mitton for this two hour workshop where he explores the Development, Techniques, and Repertoire favoured for Low Male Voices (LMVs). Typically labelled as 'Bass' and 'Baritone', these classifications are used in classical music, choral settings, and vocal pedagogy to help determine suitable repertoire and vocal roles. In contemporary music, the distinctions are less rigid but still useful for understanding vocal range and timbre.