If You Can Talk, You Can Sing
Tuesday 28th May 2024, 5:00 PM - 7:00 PM (London Time)
Frankie believes passionately that singing is our birthright. For thousands of years, our ancestors sang as naturally as they spoke. They sang to accompany everyday activities – at work, at play, at devotion and dance – and for their own pleasure. No one was excluded, so everyone’s skill and confidence developed naturally.
Some cultures do not even have a word for ‘singer’ as everyone sings, just as we do not have a word for ‘breather’! It’s only in the past couple of centuries that the notion that there are people who can’t or shouldn’t sing has come about, largely in white Western European culture. This elitist idea has impacted on millions of people, who have been told they are non-singers, have unacceptable voices or are ‘tone-deaf’. They have therefore never had the chance to experience the stepping stones that have traditionally encouraged people to sing - in the same way as they learned to talk. Hence they have been robbed of one of the essential forms of human expression.
To quote the Institute of Education, we now know 'music is hard-wired into us', and that it is criticism and judgment as a child that has robbed many people of their innate musicality. As voice practitioners and singing teachers, how can we help to unlock this innate capacity for those people?
Since 1975, Frankie has developed a teaching approach that provides stepping stones, with permission and encouragement, for people to explore confidence in their voices and self-belief in their musicality. She has used this in contexts including community groups, hospitals, theatre companies and schools, as well as at the National Theatre Studio, London, for over 20 years, and she has presented at international voice conferences in Europe, North America and Australia.
She uses the body and imagination to invite people to be curious and adventurous in exploring their voices in a non-judgemental atmosphere, without the need to "get it right”. The aim is to tap into the joy, strength and energy of singing with others, and to find a range of colour and expression in each of our voices.
Frankie Armstrong
Frankie Armstrong has has been singing professionally since 1964. In 1975, she began her pioneering voice workshops based on ethnic styles of singing, where singing is as natural as speaking.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 6th October 2026
5:00 PM - 7:00 PM
(London Time)
Inspired Not Bound: The Promise of Science-Informed Voice Pedagogy
Lynn Helding
Lynn Helding defines Science-Informed Voice Pedagogy in her upcoming book Practicing Science-Informed Voice Training as, “A type of hybrid singing voice pedagogy that unites science and art by researching current voice science, translating it, combining it with extant historic voice knowledge, and transmitting it to singers.” Join Lynn Helding as she seeks to understand human behaviour of both sides of the “Science versus Art” debate via research from the fields of cognitive science and behavioural science, focussing particularly on lessons learned due to several societal shifts.
Tuesday 13th October 2026
1:00 PM - 2:00 PM
(London Time)
MA Voice Pedagogy: Online Information Session & Q&A
Debbie Winter
Considering our MA Voice Pedagogy? Join our Director for a focused online presentation and discussion to explore the course, ask questions, and discover whether postgraduate study at Voice Study Centre is right for you.
Tuesday 13th October 2026
2:00 PM - 4:30 PM
(London Time)
Musical Theatre Singing Pedagogy: A Framework for Teaching Musical Theatre Singers!
Amanda Flynn
Join Amanda Flynn for this extended 2.5 hour session on the the pedagogy of teaching musical theatre singing. She will begin by exploring the flexibility needed for musical theatre singing through definitions, listening exercises, and some historical context.