If You Can Talk, You Can Sing
Tuesday 28th May 2024, 5:00 PM - 7:00 PM (London Time)
Frankie believes passionately that singing is our birthright. For thousands of years, our ancestors sang as naturally as they spoke. They sang to accompany everyday activities – at work, at play, at devotion and dance – and for their own pleasure. No one was excluded, so everyone’s skill and confidence developed naturally.
Some cultures do not even have a word for ‘singer’ as everyone sings, just as we do not have a word for ‘breather’! It’s only in the past couple of centuries that the notion that there are people who can’t or shouldn’t sing has come about, largely in white Western European culture. This elitist idea has impacted on millions of people, who have been told they are non-singers, have unacceptable voices or are ‘tone-deaf’. They have therefore never had the chance to experience the stepping stones that have traditionally encouraged people to sing - in the same way as they learned to talk. Hence they have been robbed of one of the essential forms of human expression.
To quote the Institute of Education, we now know 'music is hard-wired into us', and that it is criticism and judgment as a child that has robbed many people of their innate musicality. As voice practitioners and singing teachers, how can we help to unlock this innate capacity for those people?
Since 1975, Frankie has developed a teaching approach that provides stepping stones, with permission and encouragement, for people to explore confidence in their voices and self-belief in their musicality. She has used this in contexts including community groups, hospitals, theatre companies and schools, as well as at the National Theatre Studio, London, for over 20 years, and she has presented at international voice conferences in Europe, North America and Australia.
She uses the body and imagination to invite people to be curious and adventurous in exploring their voices in a non-judgemental atmosphere, without the need to "get it right”. The aim is to tap into the joy, strength and energy of singing with others, and to find a range of colour and expression in each of our voices.
Frankie Armstrong
Frankie Armstrong has has been singing professionally since 1964. In 1975, she began her pioneering voice workshops based on ethnic styles of singing, where singing is as natural as speaking.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 1st May 2025
5:00 PM - 7:00 PM
Thursday 8th May 2025
5:00 PM - 7:00 PM
Thursday 15th May 2025
5:00 PM - 7:00 PM
Thursday 22nd May 2025
5:00 PM - 7:00 PM
Thursday 29th May 2025
5:00 PM - 7:00 PM
(London Time)
Trauma-Informed Voice Professional Certificate with Dr Elisa Monti
Dr Elisa Monti
This five-part certificate course is designed to help participants learn the theory and practice of trauma-informed approaches. The concepts and activities included are tailored to meet the needs of voice specialists who want to acquire more specific tools to navigate the space with their students and colleagues.
Wednesday 7th May 2025
2:00 PM - 4:00 PM
Wednesday 14th May 2025
2:00 PM - 4:00 PM
Wednesday 21st May 2025
2:00 PM - 4:00 PM
Wednesday 28th May 2025
2:00 PM - 4:00 PM
Wednesday 4th June 2025
2:00 PM - 4:00 PM
(London Time)
Advanced Certificate in Accents and Phonetics for Coaching Actors
Louisa Morgan
12 week course! Sharpen your coaching skills, discover new tools, and learn how to connect more deeply with your clients in our advanced certificate in accents and phonetics for coaching actors. The course provides an in-depth look at some of the key fundamental aspects of coaching accents, like phonetics and prosody, as well as introducing some theory and practice-based concepts relating to the complexities of this field, such as coaching for neurodiverse performers, English as an additional language (EAL) speakers and identity politics.
Tuesday 20th May 2025
12:00 PM - 1:00 PM
(London Time)
Optimising Voice Quality through Nasal Hydration. What are the Implications for the Voice Community?
María Borragán Salcines
Carles Expósito Rovira
The vocal folds need a high degree of humidity to be able to vibrate at their normal high frequency. Hydration makes the tissue more flexible and more turgid. The moisture of the tissue is one of the first factors that is lost when there is a pathology or when an unusual overload is suffered. Voice professionals often deal with stress, anxiety, fatigue, and changes of temperature and environment like the dryness of the performing spaces, due to factors like air conditioning or heating. All these factors affect the voice and can make the performer activity more difficult!