Short Courses & Events / Archive

Let´s Scream: Vocal Distortions Introduction

Thursday 18th July 2024, 5:00 PM - 7:00 PM (London Time)

Objectives:

The objective of this workshop is to know how to train and recognize different types of vocal distortions through sensory motor learning and by using different tools (Vocal Register, Vocal qualities, etc) from “Traditional Singing”

 

Content:

  1. Introduction: A quick introduction to the 3 fundamental types of vocal distortions (Glottal Distortion, Supraglottal Distortions and 2+ Sources) and their characteristics, with an auditive test (Interactive Experience)
  2. One on One Training: The participants will have the chance to work one on one with me on the different vocal distortions presented above. (Interactive Experience)
  3. Vocal mappings: A system for vocal mapping will be proposed using extreme metal songs as bases (Interactive Experience).

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Nicolás Hormazábal

Nicolás Hormazábal is a teacher of Vocal Distortions and Extreme Vocals with an emphasis on Rock and Metal styles. A pioneer in teaching vocal distortions in Chile, he has trained many singers of the South American metal scene.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology

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Tuesday 4th November 2025
3:00 PM - 5:00 PM
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The Science of Sound: Optimizing Vocal Acoustics for Contemporary Styles!

Dr Ana Flavia Zuim

This course explores the scientific principles underpinning vocal production, acoustics, and the care of the singing voice, drawing from both foundational texts and contemporary research. Students will engage deeply with concepts from Titze’s Principles of Voice Production and Bozeman’s Practical Vocal Acoustics, including the nature of sound, pressure waveforms, harmonics, formants, and the spectral envelope. Emphasis is placed on understanding both linear and non-linear source-filter models, highlighting how the glottis produces sound and how the vocal tract selectively reinforces harmonics to enhance vocal power, timbre, and efficiency.