Short Courses & Events / Archive

'Mal canto' and the cultural politics of voice pedagogy: provocations from a critical disability studies (CDS) perspective

Thursday 14th November 2024, 5:00 PM - 7:00 PM (London Time)

‘Mal canto’ and the cultural politics of voice pedagogy: provocations from a critical disability studies perspective.

Critical disability studies (CDS) is a growing field of academic enquiry that has gained considerable traction over the past two decades.   Encouraging us to think beyond typical medical and legal definitions, CDS analyses disability as a complex cultural, historical, political and relational phenomenon.

In this short course, I apply the insights of CDS to voice pedagogy and the academic discipline of voice studies, more broadly. I suggest that disability is highly relevant to our field in significant (and potentially surprising) ways.

In his book, Shakin’ All Over: Popular Music and Disability (2013), Georgie McKay coins the phrase ‘mal canto’ in opposition to the historico-pedagogical notion of idealised singing, ‘bel canto’ (lit. beautiful singing). In this course, I use McKay’s critical concept as a starting point for identifying and disrupting the potentially ableist norms that are often sustained within the field of voice studies and vocal pedagogy.

Key topics:  Critical Disability Studies, access, inclusion, disability justice

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
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📜 Certificate of attendance available

Dr David Cane

Dr. David Cane is a Lecturer with expertise in musicology, qualitative and quantitative research design, disability studies, and postgraduate supervision. He plays a central role in research methods teaching and dissertation supervision. David’s research interests include critical disability and queerness. David is a lecturer, researcher, singer, singing teacher and choir director. 

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Vocal production, or the process of recording a voice, is a multifaceted practice requiring a diverse set of skills. It has traditionally been considered the role of the producer in a recording studio, and vocalists can often feel intimidated by learning complex technical skills or prohibited by the cost of recording equipment. This course is aimed at voice coaches and vocalists who want to learn to record and shape their vocal tracks, as well as how to teach these skills to voice students. No matter your technical experience or setup, you can record great-sounding vocals!