'Mal canto' and the cultural politics of voice pedagogy: provocations from a critical disability studies (CDS) perspective
Thursday 14th November 2024, 5:00 PM - 7:00 PM (London Time)
‘Mal canto’ and the cultural politics of voice pedagogy: provocations from a critical disability studies perspective.
Critical disability studies (CDS) is a growing field of academic enquiry that has gained considerable traction over the past two decades. Encouraging us to think beyond typical medical and legal definitions, CDS analyses disability as a complex cultural, historical, political and relational phenomenon.
In this short course, I apply the insights of CDS to voice pedagogy and the academic discipline of voice studies, more broadly. I suggest that disability is highly relevant to our field in significant (and potentially surprising) ways.
In his book, Shakin’ All Over: Popular Music and Disability (2013), Georgie McKay coins the phrase ‘mal canto’ in opposition to the historico-pedagogical notion of idealised singing, ‘bel canto’ (lit. beautiful singing). In this course, I use McKay’s critical concept as a starting point for identifying and disrupting the potentially ableist norms that are often sustained within the field of voice studies and vocal pedagogy.
Key topics: Critical Disability Studies, access, inclusion, disability justice
🏷️ Price £30 (UK VAT inclusive)
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📜 Certificate of attendance available
Dr David Cane
David is a lecturer, researcher, singer, singing teacher and choir director. He is a former choral scholar of King’s College, Cambridge where he studied for a degree in Theology and Religious Studies.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 14th October 2025
5:00 PM - 7:00 PM
(London Time)
Musical Theatre Singing Pedagogy: A Framework for Teaching Musical Theatre Singers
Amanda Flynn
This class will look at the pedagogy of teaching musical theatre singing. We will begin by exploring the flexibility needed for musical theatre singing through definitions, listening exercises, and some historical context.
Wednesday 15th October 2025
2:00 PM - 4:00 PM
(London Time)
Congruent Ideologies of the Bel Canto Pedagogues
Dr John Seesholtz
This presentation and discussion highlights the qualities held in common between the major pedagogues of the era, including elements of alignment, inspiration, vowel purity, legato, and pedagogic progression from exercises to repertoire.
Wednesday 15th October 2025
2:00 PM - 4:00 PM
(London Time)
The Alexander Technique: Principles, Application, and Voice Integration!
Michele Capalbo
Developed by Australian actor F.M. Alexander in the late 19th century, the Alexander Technique evolved from Alexander’s voice loss during performance. Voice teachers have long recommended the Alexander Technique to improve posture and vocal function. Studies have shown alterations to vocal quality and reductions in performance anxiety following Alexander Technique intervention. This short course will emphasize universal aims considered beneficial to voice users, including mitigating excess tension and breaking harmful habits!